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A black and white comic strip in six panels. The top row shows a person in profile, sweating and looking distressed, with speech bubbles reading “Riri give us a pose, girl!” and “Riri?”. The bottom row transitions into abstract, swirling black and white patterns that resemble smoke or organic textures.
A black and white comic strip in six panels. The top row shows a person in profile, sweating and looking distressed, with speech bubbles reading “Riri give us a pose, girl!” and “Riri?”. The bottom row transitions into abstract, swirling black and white patterns that resemble smoke or organic textures.

Ula Zuhra’s coming-of-age graphic novel illustrates the chaos of female adulthood

Walk in the footsteps of Aca and Ica through a Jakarta painted in magical realism and the absurd.

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Date
26 August 2025

Ula Zuhra is a Jakarta-based illustrator, cartoonist and writer behind the full length graphic novel, Aca & Ica: Collected Stories. In the debut piece, the artist explores themes of “feminism, class, eroticism, mythological, and esoteric practices in Indonesia through a tongue-in-cheek satirical lens,” the artist says. Throughout Arca & Ica, Ula often opts for a heady balance of high contrast black-and-white, set aside moments of vibrant colour. The characters’ inner worlds are not lost in the two-tone binary, nor are they washed away with colour. In fact, Ula’s colour choices enhance the narratives of the two women – the colour drains from the pages as the intensity of the story heightens.

Ula’s work is entirely hand-drawn and hand-painted, and it leans toward body horror to demontrate the realities of Indonesia’s fraught and complex sociopolitical landscape. It’s stretched across language too, weaving English together with Indonesian slang. Language jumps out of the page with urgency, swirling around “the contradictions, chaos, and quiet moments of navigating female adulthood in Jakarta,” says Ula.

Ula isn’t new to vibrant world-building, in 2021 she co-founded Studio Cacing, an animation studio that collaborates with local musicians on posters and moving image. Her key cultural influences in supporting her different creative pursuits include the underground comix subculture, 1980s horror, and Indonesian B-Movie films, and the work of Dori Seda, Lee Mars, and Aline Kominsky-Crumb; artists part of the Wimmen’s Comix collective.

GalleryUla Zuhra (Copyright © Ula Zuhra, 2025)

An illustration of two people standing side by side against a grey, textured background. Above them, the word “ACADIA” is written in bold, dripping red letters.
A black and white illustration in two panels. The top panel shows a close-up of a person crying with their mouth open, above the text “I need to convince myself that she created me out of love,” and below it, “not obligation..”. The bottom panel shows a person embracing another figure, both with closed eyes and tears on their faces. Text at the bottom reads “And my mother’s mother, and my mother’s mother’s mother,” repeating the lineage, ending with a black box containing the word “fin.”.
A comic book cover titled “Night on Earth” by Ula Zuura. The layout is a grid of colourful, stylised illustrations featuring figures with bold outlines and expressive faces.
A yellow and black comic strip featuring a person performing with a microphone. They are surrounded by a crowd of people, with speech bubbles containing text such as “FREEBLEEDING!!” and “JENGLOT!”.
An illustration of a person with red hair wearing a black bikini, sitting on a white fluffy rug. They smoke a cigarette, surrounded by a skull, candles and books including one titled “Bacon”. To the right, a pink and black checkered floor warps into a swirling vortex with a fire at the centre.
A black and white comic strip across two pages. Figures in a crowd react with disgust to the arrival of “the undesirables”, while one person feels unwell. On the second page, two people discuss a book titled “The Death Argument” by Anais Salam. They describe the author’s ideas on post-death transformation as “revolutionary”.
An illustration of a band performing in front of a large yellow circle against a pink background. In the foreground, two people face each other, one applying lipstick to the other’s lips. A heart-shaped logo above the band reads “aca & lea”.
A black and white illustration of a crowded party. Figures with human and monstrous faces mingle, one of whom wears a T-shirt reading “Cocteau Triplets”.
A black and white illustration of a group of figures in a circular frame, wearing masks and lingerie. In the foreground, a person sits with their back to the viewer, looking towards the others. An open book at the bottom reads “Règles” and “Régulations”, with the title “Le Bain de Douleur” written below.
An illustration of two people sitting in a car against a starry blue night sky. The person driving has spiky black hair and smokes a cigarette, while the passenger wears dark glasses and smokes a joint.
An illustration of a lively social scene. In the foreground, three people pose for a selfie, while in the background, a DJ plays music for a dancing crowd. The image is framed by a green tiled wall and a header that reads “The Warung Project”, flanked by drawings of chickens and fish.

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Ula Zuhra (Copyright © Ula Zuhra, 2025)

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Further Info

www.instagram.com/ulazuhra/?hl=en

About the Author

Sudi Jama

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Sudi Jama (any pronouns) was a staff writer at It’s Nice That from April 2025–January 2026, and is now a freelance writer. They have a keen interest and research-driven approach to design and visual cultures in contextualising the realms of film, TV, and music.

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