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A collection of zines and printed matter scattered across a surface. Visible titles include “Boys”, “Moon”, “Filthy” and “Some Sheep”, alongside a red publication with the word “Ordinary” on the cover.

Things: The best of the stuff we've been sent this month

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Date
16 March 2016

This month we’ve got tridents of zines and third issues exploring their new-found maturity: it seems the third month of the year has heralded an influx of three-themed projects. From celebrations of the bizarre and beautiful to fetishisation of the banal, we’ve got a plethora of peculiar publications and projects for you in this month’s Things.

A red card features a clear plastic pouch containing white plastic cutlery. A yellow circular sticker reads “EXTRA” and the word “ORDINARY” is printed in black at the bottom.
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Max Siedentopf & Yuki Kappes: Ordinary

An open magazine shows a photograph of a nude person lying on a grey sofa. Rows of white plastic forks are arranged across their body, mimicking the look of a skeletal ribcage and spine.
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Max Siedentopf & Yuki Kappes: Ordinary

Ordinary, Max Siedentopf

Kessels Kramer art director Max Siedentopf has collaborated with Tialda Lublink and Yuki Kappes to bring magnificence to the mundane with new photo magazine Ordinary. The quarterly publication combines minimalist art direction with full-bleed photography spreads that see everyday objects take centre stage in unexpected contexts and surreal sculptural compositions. The Amsterdam-based publication’s maiden issue launched this month and harnesses the seemingly absurd versatility of the plastic fork.

Three small booklets with black covers are laid side by side on a bright blue background. Each features a white hand-drawn symbol representing the number three: a digit “3”, Roman numerals “III”, and a triangle. Small text at the top reads “SLCTD SKTCHNS ISSUE NO.3”.
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Thomas & Jurgen: Selected Sketches

Two open zines with black and white graphics lie on a bright blue background. The pages feature bold, abstract ink shapes and a geometric rectangular symbol.
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Thomas & Jurgen: Selected Sketches

Selected Sketches, Thomas & Jurgen

Dutch design studio Thomas & Jurgen has produced a threesome of zines for their third instalment, all exploring varying iterations of “three”. Providing engaging insight into the development process of creative projects, Thomas & Jurgen’s trident of Selected Sketches zines takes symbols read as “three” and demonstrates how sketching is integral to the creation of a unique design by articulating and answering provocative questions in a visual format.

A small, pale yellow book centered against a bright blue background. The cover features a green-tinted image of a sheep with the words “Some Sleep” written across it in orange script.
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Judith Erwes: Some Sheep

An open zine lies flat on a bright blue background. Two small, high-contrast photographs show close-ups of a spotted animal.
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Judith Erwes: Some Sheep

Some Sheep, Judith Erwes

London-based photographer Judith Erwes’ pop art-inspired book Some Sheep might be the smallest coffee table book we’ve ever seen. Unapologetically content with staging the peculiar and shooting it as oddly alluring portraiture, Judith’s latest offering serves up a collection of nonchalant sheep boasting a variety of hair and fur styles.

A collage of four square photographs, each split into triangles, showing fragmented views of a person’s face. The pieces are rearranged to create a mirrored, kaleidoscopic effect against a bright blue background.
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Alma Haser & Emily Macaulay: Cosmic Surgery

A paper sculpture of a person’s face, folded into a complex, symmetrical geometric shape. The portrait is repeated across multiple facets of the structure against a bright blue background.
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Alma Haser & Emily Macaulay: Cosmic Surgery

Cosmic Surgery, Alma Haser

First featured on It’s Nice That way back in August 2013, photographer Alma Haser’s Cosmic Surgery project explores the concept of adding hidden narratives to traditional portrait photography. Sandwiched somewhere between hypnotic and grotesque, Alma has recently revisited the project in collaboration with Emily Macaulay of Stanley James Press to produce a pop-up photography book allowing the reader to disguise the identity of a subject with origami shapes. You can even undergo your own Cosmic Surgery facelift on the project’s new website.

A book cover titled “MOON” shows a person standing in a room with green walls. They wear a white top and red trousers, posing beside a wooden desk and a brown leather bag.
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Verity Pemberton: Moon

An open book laid flat against a bright blue background. The left page features a portrait of a person in a black top and the name “Bay Garnett” in bold white type.
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Verity Pemberton: Moon

Moon, Verity Pemberton

The third issue of stylist and art director Verity Pemberton’s bi-annual Moon Magazine traverses the growing pains associated with subjective maturity and the challenge of growing up as a professional creative. The art direction of Moon sees stereotypically feminine visual themes exploited to subtly poke fun at an archaic perception of female youth, while copy-heavy pages emphasise the relevance of storytelling and discussion in the tricky journey to becoming an adult.

Four colourful pouches and fabric squares are laid out on a bright blue background. One square features bold, stacked text that reads “FILTHY FILTHY FILTHY”.
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Jess Wilson: Kite Eyewear

Four fabric pouches and bags are laid out on a bright blue background. One yellow bag features a colourful doodle pattern and the words “Impossible is Nothing”.
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Jess Wilson: Kite Eyewear

Kite, Jess Wilson

Renowned for her energetic and engaging illustrations and prints, London-based creative Jess Wilson was recently commissioned by Kite Eyewear to produce eight images that have been reproduced as cleaning cloths and protective pouches. Emblazoned with her typically playful messages of encouragement and enthusiasm, Jess’ designs feature vibrant colour and intricate, geometric patterns.

A rectangular booklet with a pattern of colourful smiley faces is centred on a bright blue background. The faces are rendered in shades of pink, orange and purple.
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People of Print: Print Isn’t Dead

An open magazine spread on a blue background. The left page features a minimalist graphic of a grey pill shape, black circles and thin lines, while the right page contains columns of text under the heading “David Burke”.
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People of Print: Print Isn’t Dead

Print Isn’t Dead, People of Print

Self-published by People of Print, Print Isn’t Dead is a celebration of all things print, championing modern iterations of traditional printing processes and providing historical content in the form of interviews and long-form editorial features. With art direction by James Lunn, Element #004 features a sickly-sweet cover of purple, pink and orange smileys and interviews with Anthony Burrill, Alan Kitching and Marion Deuchars.

A stack of colourful cards against a bright blue background. The top yellow card features a white line drawing and the text “Mid-Century Modern Icons of Design”.
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Thames & Hudson: Mid-Century Modern

Two open booklets and one closed orange cover lie on a bright blue surface. The pages feature minimalist layouts with black text, simple line drawings of furniture, and a red geometric floral motif.
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Thames & Hudson: Mid-Century Modern

Mid-Century Modern, Thames & Hudson

Drawing on the innovation and clean lines of mid-20th Century design, Thames & Hudson’s Mid-Century Modern release sees Here Design’s graphic renderings of classic furniture, product, lighting and industrial design pieces constructed as four concertina books, contained by a minimalist slipcase. With copy by Frances Ambler exploring the history and context of each design, this new range of books has been released in conjunction with a complementary set of 100 illustrated postcards.

A black book cover with the word “Boys” in a bold, white serif typeface. The number “2” is printed in white at the bottom, all set against a bright blue background.
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Brendan Freeman: Boys

An open magazine shows two photos of a person wearing a denim jacket and white T-shirt. The left page is a black and white close-up portrait, while the right page is a full-length shot against a pink background.
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Brendan Freeman: Boys

Boys, Brendan Freeman

Published by art director and photographer Brendan Freeman, Boys (alongside sister magazine Girls) is an oversized bi-annual print publication celebrating new modelling talent in the fashion industry. Highlighted by his clean, monochrome graphic design, Brendan’s photography offers a subtly playful insight into the diverse pool of new male faces.

A rectangular brown slab rests against a bright blue background. A single piece of white string is laid across the surface in a loose, swirling loop.
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Martin Fengel: Three

An illustration in an open book shows a line of small figures connected by a thick black ribbon. The ribbon flows from a puddle on the left, through the figures, and ends in the mouth of a larger figure on the right.
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Martin Fengel: Three

Three, Martin Fengel

Martin Fengel has just launched the first edition of Three. Recognised for his extensive work across areas including art and photography, the Munich-based creative has produced the publication, which interestingly resembles a children’s colouring book, to showcase the best of his brilliantly eccentric illustrations.

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About the Author

Milly Burroughs

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Milly Burroughs (@millyburroughs2.0) is a Berlin-based writer and editor specialising in art, design and architecture. Her work can be read in magazines such as AnOther, Dazed, TON, Lux, Elephant, Hypebeast and many more, as well as contributing to books on architecture and design from publishers Gestalten and DK. She is It’s Nice That’s Berlin correspondent.

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