Launch Recite Me assistive technology
A person in a brown suit and striped tie holds a small, leafy tree branch in front of them. They look towards the camera with a surprised expression, standing in front of a white house.

John Cleese stars in new Specsavers ad as Basil Fawlty

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Date
5 January 2016

As part of Specsavers’ continuing Should’ve Gone to Specsavers campaign, this new spot features John Cleese reprising the role of Basil Fawlty, 35 years since he last roamed the Fawlty Towers lobby.

Directed by Tim Bullock and created by the Specsavers’ in-house creative team (with some script help from John Cleese himself), the ad follows Basil struggling to cope with the voice-command technology in his car. Frustrated and frazzled, we see Basil recreating the famous scene from the fifth episode as he gives the car “a damn good thrashing” with a branch. Of course, in true Specsavers fashion, Basil attacks the wrong car (a police car no less) and hilarity ensues.

The charm of this ad is how familiar it all feels, both in Specsavers’ long-running campaign joke and the silliness of Fawlty Towers. It’s a simple, slapstick-riddled, well-constructed advert and a clever move from Specsavers to use an iconic British comedy character to engage its audience.

A person with a moustache sits in the driver's seat of a car, looking ahead with a focused expression. They wear a dark suit jacket, a white shirt and a striped tie.
Above

Specsavers: Specsavers Fawlty Car

A person in a brown suit and tie stands on a residential street, gesturing with one arm. Behind them is a white house with black timber framing and a manicured green hedge.
Above

Specsavers: Specsavers Fawlty Car

Two people sit in a police car, each holding a coffee cup. They look at one another through the windscreen, beneath a blue light bar that reads “POLICE”.
Above

Specsavers: Specsavers Fawlty Car

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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