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A black and white illustration showing two similar scenes side by side. In each, a small figure stands on a pedestal, holding up a giant head.

Unconventional love stories from animator Sawako Kabuki

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Date
31 January 2018

“Love is a wonderful thing that colours our life, but love is not always visible and sometimes is vague and ephemeral,” Tokyo-based Sawako Kabuki notes sagely. Her latest animation, Ici, là et partout, “is filled with love and shows the state of being carried away by love,” although not using the visual tropes you’d usually expect to accompany a tale of blossoming romance.

Ici, là et partout is the latest in a growing queue of surreal animations with questionable storylines by the Japanese creative. The animator and illustrator, who graduated in graphic design from Tama Art University, is now using her skills to narrate the universal experience of heartbreak. “It is almost impossible to understand each other completely even when a couple love each other very very much and sometimes it causes heartbreak,” she explains. “I expressed the vanity of such a heartbreaking love using a ceaseless metamorphosis technique [in Ici, là et partout. By the way, when this film was completed, my ex-boyfriend had dumped me.”

And as for the slightly haunting track that accompanies the film, it’s thanks to Sawako’s friends. “My friend’s band Le Petit Terezes’s made this song,” she says. “Agatha Morita, the leader of the band, sent me this song on my birthday.” Agatha is also the man behind the song which backgrounds the animation Cockroach Calisthenics (below), which is perhaps best left unexplained.

A simple line illustration of two figures with long black hair kissing. They are nude, with small red circles marking their nipples.
Above

Sawako Kabuki

An illustration of two figures lying side by side against a plain white background. They are drawn in a simple, minimalist style with black hair and small pink circles for nipples.
Above

Sawako Kabuki

An illustration of two figures holding hands against a plain white background. Their bodies are topped with stacks of rounded, organic shapes, and a pink heart floats above them.
Above

Sawako Kabuki

An illustration of two pale, humanoid figures standing side by side against a white background. They have small red dots for nipples and wear pink and white polka-dot socks.
Above

Sawako Kabuki

A line drawing of two headless figures standing side by side against a white background. Both wear pink polka-dot socks, and one reaches out to touch the other’s backside.
Above

Sawako Kabuki

A simple line illustration of two naked figures holding hands. Above them, two small, floating heads lean in to kiss.
Above

Sawako Kabuki

An illustration of four pale, rounded figures standing side by side against a white background. A small, pink, sparkling cloud floats between the two central figures.
Above

Sawako Kabuki

Four pairs of bright red lips are arranged in a horizontal row against a plain white background. Each pair is slightly open, revealing a glimpse of white teeth.
Above

Sawako Kabuki

An illustration of a person’s backside, drawn with simple black outlines on a white background. A small, pink watercolour heart sits centrally atop the figure.
Above

Sawako Kabuki

A simple line illustration of two figures with elongated arms reaching across a white space to hold hands. Between them, a musical note floats above the text “Ici, Là Et Partout” and “Le petit terezes”.
Above

Sawako Kabuki

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About the Author

Bryony Stone

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Bryony joined It's Nice That as Deputy Editor in August 2016, following roles at Mother, Secret Cinema, LAW, Rollacoaster and Wonderland. She later became Acting Editor at It's Nice That, before leaving in late 2018.

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