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An illustration of two figures with wide eyes and open mouths, set against a swirling pink background. The figures are rendered in high-contrast black and pink, with detailed, textured eyes.

Animator Saiman Chow’s trippy idents for Adult Swim’s Rick and Morty

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Date
21 April 2017

Hong Kong-born, New York-based animator Saiman Chow was asked by American cable channel Adult Swim to create a series of 15-second idents for its show Rick and Morty to be used as promos. “The brief was very open, it was just to interpret the show and the characters however I saw fit. Besides some standard federal regulations, nothing was off limits,” explains Saiman.

The project was delivered as five separate idents and the animator has since stitched together them together into a minute and a half of vibrant colour, trippy character mutations and surreal sound effects. Despite the chaos, Saiman says there is a loose narrative to the shorts: “I don’t want to spell everything out but the narrative is simple and direct: death, reborn, return, revenge. The story will only make sense if you watch them in sequence,” he explains.

“Like many Americans, I’m very much affected by the recent election and my feelings are certainly manifested in these works. My intention is not a political one, after all, it is for a network with audiences that have many different political points of views. But rather, I see the opportunity to use the platform to try to untangle some of my own frustration. Again, the intention is very self-serving and I don’t expect anyone to care or notice, but if you sip through all the wacky visuals, you can uncover the subtle references.”

Rick and Morty already has an established identity in a “rich and fantastic world”, so Saiman’s task was to create a point of difference with his work. “I decided my approach would have a little or nothing to do with the show besides referencing the main characters and the general sci-fi theme. Setting up these parameters helped me to find solutions that might not be expected and ultimately allow me to insert my own voice,” Saiman says. “In addition, I wanted each ID to be unique and a standalone as well as all five being able to work well together and form a loose narrative.”

Saiman works intuitively, which involves revisiting ideas, fussing over tiny details and eliminating things as he goes. “The most challenging part of the project is frankly myself. I can be a mess, I have ADD, so time management is the constant challenge throughout my career. Except for a few hiccups, I’m quite pleased the things turned out as smooth as they did,” he admits.

As well as creating work for Adult Swim, Saiman’s impressive client list also includes The New Yorker, The New York Times, Nike, Sonos and Rayban.

An illustration of a surreal, neon landscape in shades of pink, orange and lime green. Giant, stylised mushrooms frame a horizon where a dark dome sits beneath a hazy sky.
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Saiman Chow: Rick and Morty idents, Adult Swim (still)

A 3D render of a surreal landscape filled with blue, bell-shaped forms. Two slender, pale figures float among the shapes against a vibrant pink and orange background.
Above

Saiman Chow: Rick and Morty idents, Adult Swim (still)

A 3D render of a surreal, lime green corridor. A large, blue textured block sits in the centre, flanked by two thick, ribbed tubes that lead toward the viewer.
Above

Saiman Chow: Rick and Morty idents, Adult Swim (still)

A surreal 3D render of a neon green spiderweb set against a bright pink background. Small purple creatures crawl across the web, surrounding a central glowing orb and a green bottle.
Above

Saiman Chow: Rick and Morty idents, Adult Swim (still)

A 3D render of a stylised face against a pink background. Two peeled bananas form the eyes, with a pink, textured shape serving as the nose.
Above

Saiman Chow: Rick and Morty idents, Adult Swim (still)

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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