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A person smiles at the camera, wearing a blue, white and black chevron-patterned top. Behind them, a white wall features large blue text that reads “The Graduates”.

Expressive illustration of people and places by Philippine d'Otreppe

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Date
2 July 2015

“When I was younger I wanted to be a farmer-painter,” Philippine d’Otreppe tells us nonchalantly, opening our eyes to farming-painting as a viable new profession. (Imagine it, a canvas set up in the corner of a barn. Idyllic!) At some point along the way she dropped the farmer element to concentrate on the art part – beginning with an Illustration degree at the Arts University Bournemouth, where she developed her practice. “At school I always wanted to study art, as it was what I was most passionate about. Then I decided to do a foundation in the UK, which made it even clearer for me that illustration was what I wanted to pursue.”

The foundation pushed her to move from Belgium, which further encouraged her to grow, she continues: “Moving from Belgium to England has considerably opened my mind; cultural differences, learning a new language and discovering new places have inspired me.”

A blue ink sketch on cream paper showing two separate scenes. On the left, figures stand beneath a structural canopy, while the right shows a person reclining against a wall marked with the number “15”.
Above

Philippine d’Otreppe: Coach Station

A blue ink illustration of a person wrapped in a heavy cloak, looking towards the left. Beside them is a simple structure with a textured roof and a cross-hatched wall.
Above

Philippine d’Otreppe: Coach Station

A sketch of a person sitting in a chair, looking towards a second figure walking from the right. Two birds stand on the ground nearby, and a grid-like structure sits to the left.
Above

Philippine d’Otreppe: Coach Station

A simple blue ink drawing of five figures standing in a row. Above them, a series of blocks are numbered “5”, “6”, “7”, “8” and “9”.
Above

Philippine d’Otreppe: Coach Station

With this in mind, it’s somewhat surprising that Philippine took to drawing the dog races in Poole for one of her final projects – a pasttime which is about as British as they come. “The drawings were all made on the spot, observing and documenting people interacting with the space,” she explains. The flurry of activity there perfectly suited her dynamic, sketchy style – depicting the lined faces of old men from life as they darted around, betting on would-be winners – and this quality makes itself evident throughout her practice. She annotates her sketches with naïve hand-drawn type, giving her energetic images a diary-like quality.

Naturally, if Philippine could show her portfolio to anybody it would be to Jean-Jacques Sempé – an illustrator with a similar taste for charismatic movement, and a cartoonist whose work she has enjoyed since she was a child. “I’ve always been fascinated by his talent to tell a story with such delicate and sensitive drawings.”

An illustration of two figures standing against a plain white background. One person wears a heavy blue cloak and head covering, while another figure in grey stands beside them.
Above

Philippine d’Otreppe: Coach Station

On the most important lesson she’s learned as a student, it is that “being productive is important,” she says. “Never cease working, and carry on with new projects.” With that work ethic firmly in place, in a year’s time she hopes to be working freelance from London, “with access to a studio, and preferably working with other artists. I want to carry on with new reportage projects, with screen-printing and with book making… As well as of course exhibiting my work in galleries!”

A sketch of a greyhound racing stadium interior on a green background. A person sits at a table in the foreground, looking towards a screen that reads “Poole Greyhounds”.
Above

Philippine d’Otreppe: Dog Racing

A sketch on terracotta paper of a long, curved corridor with a row of tall windows. Several figures are seated or standing along the wall, with two highlighted in bold red and green.
Above

Philippine d’Otreppe: Dog Racing

A pencil sketch in an open notebook shows a close-up of a person’s feet and lower legs. One foot is stepped forward, wearing a lace-up shoe and trousers.
Above

Philippine d’Otreppe: Sketchbook

A two-page sketchbook spread featuring loose line drawings in red and green. The sketches depict figures from the chest down, focusing on their hands holding phones and their footwear.
Above

Philippine d’Otreppe: Sketchbook

A blue ink sketch of a classical stone archway. To the right, three figures are drawn in a similar style, appearing to observe the structure.
Above

Philippine d’Otreppe: Museum

A blue ink illustration of four porcelain vessels on a white background. To the right, three pieces are labelled “vase”, “vase” and “jar”, with the handwritten caption “Japan – Blue and white porcelain” below.
Above

Philippine d’Otreppe: Museum

An illustration of two figures in a sketch-like style. On the left, a person in a headwrap is drawn in ochre, and on the right, a smaller figure is rendered in blue. Handwritten text below reads “Shunga period”.
Above

Philippine d’Otreppe: Museum

An illustration of various South Asian sculptures, sketched in blue and ochre. The figures and pottery are loosely drawn, including a detailed face with a moustache and the handwritten words “South Asian sculpture”.
Above

Philippine d’Otreppe: Museum

Represent

We are very pleased that The It’s Nice That Graduates 2015 will once again be supported by Represent Recruitment. The graphic and digital design recruitment specialists have developed a peerless reputation working with designers of all levels and matching them up with the right positions in some of the top agencies around. Represent’s support has helped us grow the Graduate scheme over recent years and we are thrilled they have partnered with us again in 2015.

www.represent.uk.com

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About the Author

Maisie Skidmore

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Maisie joined It’s Nice That fresh out of university in the summer of 2013 as an intern before joining full time as an Assistant Editor. Maisie left It’s Nice That in July 2015.

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