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A collage featuring a central square divided into four quadrants of botanical prints in blue, red and teal. This is set against a light blue background with large, organic blue shapes.
A collage featuring a central square divided into four quadrants of botanical prints in blue, red and teal. This is set against a light blue background with large, organic blue shapes.

Peony Gent is layering materials to create drawings that are “chewy and rich” in texture

Taking her sketchbook to parks and street corners around south London, the artist constantly experiments with texture and material to illustrate her experience of a space.

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Date
2 September 2026

“I’m really interested in playing with the form of things – to see how I can create my own visual shorthand for how I experience the world,” says Peony Gent, an artist who does “a little bit of everything”: quilts, murals, and experimental comics alongside working as a lecturer at Camberwell College of Arts.

“Nature lends itself really nicely to this kind of experimentation due to how endless the inspirations are, and how far you can push the limits of how much you can abstract a tree or a flower with it still being recognisable,” she says, speaking about her series of drawings inspired by green spaces and street scenes near her home in south London. The illustrator often takes her sketchbook down to Burgess Park in Camberwell, or for a stroll down Walworth Road, capturing little snippets of abstracted flatblocks and nature scenes around Southwark.

Gallery(Copyright © Peony Gent, 2026)

An open sketchbook lies in long, dry grass. The pages feature a vibrant yellow illustration with abstract shapes, organic forms and a strip of orange dots.
An illustration in a sketchbook, lying open on a patch of long grass. The drawing shows a fragmented city scene in shades of blue, yellow and grey.
A person holds up an open sketchbook featuring a vibrant blue and yellow illustration of a landscape. The drawing shows stylised trees, a winding path and a small building under a pale yellow sky.
A painting of a city skyline and trees in vibrant shades of orange, yellow and blue. The artwork is split across two canvases and rests on a patch of green grass.

Her newer, grid-like works are a continuation of the comics she’s produced over the years. “Rather than being just one image, most of them are composed of a collection of different ‘panels’ pushed together, creating an impression of all these different elements that combine to create how I perceive a location at a particular time.”

Recently, Peony has started to combine pastels with acrylic gouache. This achieves a texture she describes as “chewy and rich”, while still feeling like a drawing rather than painting – “a skill I am very bad at”, she says. “Something I always tell my students is ‘if it’s fun for you to make it will almost always be fun to look at’. Sometimes I can catch myself getting too controlled and obsessed over wanting the end product to look ‘good’, which is when the images I’m making come out poorly.”

Peony plans to expand this series into larger pieces, in different locations, and by adding even more layers of texture to achieve the aforementioned ‘chewyness’. Like all of her projects, the results are always uncertain, but “we’ll see where it goes!” the illustrator ends.

Gallery(Copyright © Peony Gent, 2026)

A diptych of two expressive paintings showing a blue building under a yellow and orange sky. The works are set against a background of large, reddish-brown organic shapes on a pale pink surface.
A child's drawing of a landscape with green trees under a blue sky. The image is set against a bright green and yellow patterned background.
A mixed-media collage featuring two sketches on brown paper, set against a background of abstract green and blue shapes. The left sketch shows a tall, green-windowed building next to a small tree, while the right depicts the facade of a house.
A person holds up an open sketchbook featuring abstract paintings in shades of yellow, green and orange. The pages are divided into a grid of textured shapes, including circles and vertical stripes.
A painting of a grid containing nine abstract panels in a variety of colours. The panels feature organic shapes, patterns and a simplified building facade.
Four small paintings are arranged in a grid against a white wall. Each piece features a stylised, colourful composition of buildings and landscapes using bold lines and patterns.

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(Copyright © Peony Gent, 2026)

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About the Author

Marigold Warner

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Marigold Warner is a British-Japanese writer and editor based in Tokyo. She covers art and culture, and is particularly interested in Japanese photography and design.

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