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A person in a bright pink outfit stands at the base of several towering, weathered concrete silos. The massive grey cylinders stretch upwards, dwarfing the figure below.
A person in a bright pink outfit stands at the base of several towering, weathered concrete silos. The massive grey cylinders stretch upwards, dwarfing the figure below.

24 hours with Morag Myerscough at Design Indaba

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Date
22 February 2018

For the fifth consecutive year, It’s Nice That has media partnered with Design Indaba. We will be delivering news, interviews and insight live and direct from each day of the three-day conference in Cape Town. The event will be live broadcast via simulcast to a number of South African cities allowing each presentation to resonate around the country.

On Wednesday (21 February), award-winning designer Morag Myerscough stood on stage at Design Indaba to tell an audience from across the world about her life’s work, from her bohemian circus-inspired upbringing in Holloway to designing colourful hospital wards for kids. Here, exclusively for It’s Nice That, Morag shares her Design Indaba highlights so far.

A concrete building facade features large windows with blue-tinted glass. The glass is divided by black metal frames into a series of sharp, geometric triangles.
Above
Left

Morag Myerscough: Zeitz MOCAA

Right

Morag Myerscough: Zeitz MOCAA

A large, angular red sculpture stands in a concrete courtyard. People walk around the piece on a grey tiled floor featuring large circular patterns of white text.
Above

Morag Myerscough: Zeitz MOCAA

Tuesday

We arrived at Zeitz Museum of Contemporary Art Africa [Zeitz MOCAA] in a fleet of brand new Mercedes cars. I was familiar with images of Thomas Heatherwick’s building but nothing beats experiencing the real thing. Buildings need to be physically experienced as pictures only tell 10% of the story or maybe even less. The building is totally incredible such a creative way of transforming an existing industrial building into a place of beauty and new function. We all gathered and were taken around the galleries by an incredible curator who explained all the art in brilliant detail and added so much, each piece of work had a deep story attached to it. This is the first museum in Africa of Contemporary African art – there are 80 galleries. Thomas spoke gently and eloquently about how the building came about and how it stemmed from his first talk at Indaba and his strong working relationship with Ravi Naidoo and the director of the museum David Green.

Dinner was held in the dramatic backdrop of Table mountain in the building’s restaurant, a wonderful night meeting new people. Early to bed for me and no alcohol as talk the next day.

Looking up into a concrete ceiling with several large, circular skylights. The openings are capped with black metal grids that let in bright daylight.
Above

Morag Myerscough: Zeitz MOCAA

A close-up of brutalist concrete architecture featuring heavy, curved forms. A smooth, bowl-shaped structure is nestled between rougher, textured concrete walls and a glowing yellow archway.
Above

Morag Myerscough: Zeitz MOCAA

Wednesday

Up at 5am as needed to be at Espresso TV station to do a quick snippet with Neo Maditla, the editor of Indaba, I did not realise I needed quite so much make-up…

A high-angle view of a coastal town at dusk, with white and beige apartment blocks in the foreground. In the distance, cargo ships sit on a calm sea under a pale orange and blue sky.
Above

Morag Myerscough: Sunrise 6.30am

8.30am over to the conference, stopped by my temporary installation Embrace the Unknown in the Artscape Piazza to see if all ok for start of the conference.

Conference begins. Full house. Brilliant MC’s Michael Beirut, Lebo Mashile, Buhle Ngaba. The filmmaker Sunu Gonera started the day with an astounding discussion on Afrofuturism and received a standing ovation.

A person stands on a stage with their arms open, wearing a red jacket and camouflage trousers. Behind them, a large screen shows a yellow and white sunburst pattern with a silhouette of Africa and the words “EKINAH TRIBE”.
Above
Left

Morag Myerscough: Sunu Gonera

Right

Morag Myerscough: Sunu Gonera

A person with a high, swept-back hairstyle poses against a bright green background. They wear a garment featuring a mix of colourful patterns and textures, sitting on a floral fabric. Text in the top left reads “Africa Rising”, with smaller text below stating “Fashion, design and lifestyle from Africa”.
Above

Morag Myerscough: Sunu Gonera

The young professionals present pieces of work: Aleksandra Gosiewski tackles clothes waste and Tomo Kihara with his debating machine. Edel Rodriguez and his Trump body of work was just brilliant!

A balance scale used for a public poll features two trays labelled “YES” and “NO”. Both trays contain coins, with the “YES” side weighted down. Chalkboards behind and below the scale ask, “Optimistic about 2030?”.
Above

Morag Myerscough: Tomo Kihara’s debating machine

By this time I am pretty nervous as I am first on after lunch. The sun is beaming outside and great to see everybody moving around and swinging on our structure. After my talk, I have to do a few interviews so missed a few of the speakers.

Last on was Thomas Heatherwick — oh my what incredible work he is doing with his studio, one amazing project after another. He gently and with humour, spoke about his strong mother and how she had a bead shop that was not ordered in colour and shape and didn’t have fitted shop units but was more organic and how he was embarrassed as a young boy and he wanted to simplify and order her environments, but now he understands and embraces his mother’s approach.

“The heart of places”

The conference day ends. I am back out on the Piazza enjoying the sun and having wonderful enlightening conversations with delegates.
Truly an inspiring first day — social change!!

An empty auditorium with rows of plush red seats rising towards a balcony. A few white cloths are draped over the seats in the foreground and middle ground.
Above

Morag Myerscough: Artscape stage view

Two people smile for a selfie in front of a large, colourful geometric installation. One person wears white hair and striped sunglasses, while the other wears glasses and a striped T-shirt.

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