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A four-panel illustration showing a person picking at a red bump on their skin. The bump grows larger and more inflamed with each panel.

Loïc Movellan’s hilariously digestible four panel comic strips

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Date
2 August 2017

Paris-based illustrator Loïc Movellan works as a producer during the day but puts pen to paper in the evening, which “helps me to chill out and empty my mind full of crazy ideas,” he tells It’s Nice That.

“I’ve been drawing since my childhood. When I was around six or seven I was a huge fan of Dragon Ball anime but I couldn’t afford to buy any figurines because I was spending all my money on sweets and pain au chocolat from the bakery in my village.” Yet, Loïc decided not to compromise on his sweet tooth, instead drawing his favourite characters, creating “flat figurines to play with, I felt so happy with just a piece of paper,” he explains. “I’ve never stopped drawing since that day.”

Loïc has never had any formal drawing training, a conscious decision “because I wanted to develop skill and style on my own,” he says. “I want to be free, illustrating whatever I want to draw without anybody telling me how to draw or what to draw.” This decision to go it alone means that Loïc’s drawings are something truly new in style and subject, “I don’t like authority that much, the results are always better when I’m challenged by myself.”

Recently the illustrator has been concentrating on four panel comics, “short satirical stories”, which caught our eye while scrolling through his Instagram, an intentional platform for the drawings. “I really like to anticipate people’s reactions when finding my comic strips between people showing off on holidays, at the gym, or with their gluten-free lunch.”

Each comic is chuckle-inducing in just four panels, portraying “instants or anecdotes that I’ve lived and some come directly from my imagination or dreams,” Loïc explains. “I love playing with square cases too drawing around them or even turning them into characters or items so they’re not just frames but protagonists taking part in the stories too”. As a result, the illustrator has mastered creating comics that hilariously digestible.

A four-panel comic strip showing a pink tongue reaching down into a blue space to pick up a yellow square. The final panel reveals the square is a drawing of a pink elephant blowing a rainbow from its trunk.
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Loïc Movellan
An illustration in four panels showing a toothbrush being loaded with toothpaste coloured like the US flag. The brush is used on a set of teeth, which then crack and break apart in the final frame.
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Loïc Movellan
A four-panel comic illustration of a dog barking at a green hedge. In the final panel, a naked person with glasses is revealed to be hiding behind the leaves.
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Loïc Movellan
A four-panel comic strip showing a child in a green T-shirt and blue trousers. In the final panel, the child has urinated on a daisy, causing it to wilt and flatten against a red brick wall.
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Loïc Movellan
A four-panel comic illustration showing a close-up of a person in red swimwear underwater. In the sequence, a series of bubbles emerge from the swimwear and float towards the surface.
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Loïc Movellan
A four-panel illustration showing a fly landing on a red square. The square folds inward to trap the fly, revealing itself to be a Venus flytrap.
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Loïc Movellan
A four-panel comic strip showing a red ball hanging from a string over a black square. In the final panels, a white paw reaches out from the square as the ball is pulled away.
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Loïc Movellan
A four-panel comic illustration. A pair of wide blue eyes is photographed by a hand holding a blue camera, resulting in a photo where the eyes have turned red.
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Loïc Movellan
An illustration of a yellow, tubular character with a smiling face and red, noodle-like hair. To the left, three panels show a sequence of the character emerging from a blue and yellow background.
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Loïc Movellan
An illustration in four panels showing a digital editing process. A yellow smiley face on a blue square is first shown normally, then shifted off-centre within a selection box. The third panel shows “Ctrl” and “Z” keyboard keys over a yellow burst, and the final panel shows the smiley face restored to its original position.
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Loïc Movellan

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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