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A sculpture of five large circular discs leaning against a white wall. The discs transition from a clear mirror on the left to deep amber and purple tones on the right.

Well-designed furniture plus rust makes Lex Pott one to watch in Milan

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Date
13 April 2012

Rust, we were taught by parents frantically retrieving bicycles left carelessly out in the rain, is to be avoided at all costs. It’s ugly, they told us, and damaging – a stark sign of dilapidation easily avoided.

To some though, including Amsterdam-based designer Lex Pott, natural degradation is an occurrence to be embraced, not averted. See Transience, a small sculptural series made with fellow designer David Derksen to reveal beauty in natural transition by exploring the oxidation (read: rusting) process. Or True Colours – which alongside Transience will be shown at the Milan Furniture Fair next week – an earlier exploration of the effects of oxidation. Or Fragments of Nature, a series of furniture as well as a study of the geometry of the trees from which it came.

Lex’s portfolio is filled with these small moments of natural triumph, of good-looking composites of contemporary design and raw materials. Would our childhood bikes have looked this good had they been left out in the rain? Under Pott’s watch, just maybe…

A sculpture of five overlapping triangles leans against a white wall on a concrete floor. The shapes transition in colour from a pale grey on the left to a deep ochre and burnt orange on the right.
Above

Lex Pott: Transience (2011)

A close-up of a painting featuring a series of overlapping geometric shapes in shades of yellow, ochre and burnt orange. The composition creates a jagged, stepped edge against a pale grey background.
Above

Lex Pott: Transience (2011)

A sculpture of five overlapping triangular glass panels leans against a white gallery wall. The panels transition in colour from clear to a deep amber.
Above

Lex Pott: Transience (2011)

A tall, narrow mirror leans against a white wall in a minimalist room. The glass surface is divided into horizontal bands of varying golden and beige tones.
Above

Lex Pott: Transience (2011)

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About the Author

Alex Moshakis

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Alex originally joined It’s Nice That as a designer but moved into editorial and oversaw the It’s Nice That magazine from Issue Six (July 2011) to Issue Eight (March 2012) before moving on that summer.

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