Kyra Thompson uses design as “a tool for visibility and empowerment”

Whilst currently based in New York, Kyra N. Thompson’s creative journey started in Jefferson Park, Los Angeles, where she grew up. Surrounded by an eclectic combination of “architecture, graffiti, cars, and art” the multidisciplinary designer and artist was drawn to creativity from a very young age, with both her uncle and father being artists themselves. “Stepping outside, I was immersed by the buildings designed by Paul R. Williams and the murals painted by local artists like Noni Olabisi,” Kyra says, and soon, she started documenting them. 

“This eventually shaped my understanding of art as a tool for storytelling and social commentary,” continues Kyra. This sensibility that was all then further nurtured by the guidance of West Coast historian and Watts-born artist George Evans Jr. “His mentorship pushed me to explore a deeper dimension of my work,” Kyra explains, “one centred on cultural preservation and the fight against cultural erasure in urban and artistic spaces.” From then on, Kyra approached her practice with intention, leaning on research and gut instinct as it evolved. “This shift wasn’t just about making things look good,” she says, “it was about creating work that carries meaning and resonates with the communities that inspire it.”

As Kyra’s practice develops, rooting itself further into investigation and exploration of identity, place and space, the notion of representation has become increasingly important to her. “As someone with Black and Mexican heritage, I’ve always been aware of the importance of representation,” she explains, “but now, my work actively seeks to amplify voices that have been historically overlooked.” Turning to more cause-led, progressive outlets to utilise her skills, Kyra now “see[s] design as a tool for visibility and empowerment”. Now, her portfolio is both beautiful and, ultimately, effective. “My creative outlook has grown from an instinctive love for visuals into a practice that is deeply engaged with history, identity, and accessibility,” Kyra ends, “and in that, I find the most meaningful work of all.”