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A simple line illustration of a person with short hair and a slight smile. A yellow banana is tucked behind their shoulder.

Bananas get anthropomorphised in Julian Frost’s brilliant animation

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Date
20 September 2016

Melbourne-based animator and illustrator Julian Frost brings the humble banana to life in a series of anthropomorphic sketches. In various scenes the our crescent-shaped friend takes on numerous guises and uses. We see the piece of fruit take the place of bicycle wheels, a giant guitar and even a set of vicious teeth. In other parts, Julian gives real character to the banana, like turning into an ominous creature lurking over someone’s shoulder, photocopying itself and being mourned over like a fallen comrade.

The focus is all about the banana for Julian, so his monochrome line drawings frame the yellow pop of colour from the fruit. Simply drawn but beautifully nuanced and well-observed, humour is the order of the day in this animation. Even the description is deadpan: “Rich in B6 and soluble fibre, bananas are a healthy and hygienic snack choice for all age groups.”

Julian says: “I try to make work funny or, failing that, at least cheerful and nicely designed” and with Bananas he succeeds on all counts.

A simple line illustration of a person standing beside a stool. A single yellow banana rests on the stool.
Above

Julian Frost: Bananas (still)

An illustration of a white photocopier with its lid open. A bright yellow banana lies on the scanner bed.
Above

Julian Frost: Bananas (still)

An illustration of a group of small, white figures carrying a giant yellow banana on their shoulders. The figures walk in a line across a plain white background.
Above

Julian Frost: Bananas (still)

An illustration of a white T-rex with a wide, toothy grin. The dinosaur holds a single yellow banana in its small arms.
Above

Julian Frost: Bananas (still)

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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