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Brightly coloured clothing and lingerie hang from a clothesline against a clear blue sky. The items include a pink knicker, a blue thong, a green satin slip dress, a blue bra and a pink long-sleeved top.

IED is a global creative space for new thinkers, makers and doers

With eleven campuses across Italy, Spain, and Brazil, the education network Istituto Europeo di Design (IED) is on a mission to champion, nurture, and foster the latest generation of creative innovators – finding the shared humanity connecting us all that sits below the surface.

Founded in 1966, IED has preserved its original Italian cultural roots whilst embracing a global perspective, committed to creativity beyond traditional education. For over 50 years, IED has prided itself on being a crucible where young talents in visual arts, graphic design, photography, illustration, and interactive design can flourish – becoming innovators and storytellers, as well as students. On campus, creatives use their chosen medium to convey perspectives, experiences and narratives that resonate on a universal level –  a testament to the institute’s philosophy that authentic communication is rooted in personal expression and creativity.

GalleryAnais Gambazzi: Natura Selvaggia (Copyright © Anais Gambazzi, 2024)

A sculpture of a pink, monster-like head with an open mouth and sharp white teeth. A flexible metal gooseneck extends from the top of the head, positioning a light bulb directly over the open mouth.
A sculpture of a pink, hairless creature with a wide smile and blue eyes. It wears a white plastic bowl on its back, which is studded with metal nails.

Wherever you look, IED is an electric patchwork – somewhere where (often opposing) things collide together to make something entirely new. From their ‘phygital’ outlook and practical-meets-poetic approach to the unique intersection between design, art and photography that IED straddles. This space where technology, tradition, and new media meet is where every student is empowered to shape their own narrative, challenging not only themselves but us too – asking us to see beyond the surface and find connections in our shared humanity. All the while, learning the latest in new tools and technologies alongside conceptual, philosophical thinking, offering an exciting space to explore whatever, however.

One such original and forward-thinking project from IED Roma is It’s gonna be OK from Nicoletta Figliuolo, a photography student whose uniquely staged work balances still life and portraiture, exploring the feeling of inadequacy and the fear of facing the world. Having worked solo, setting up the sets in the studio and portraying herself became playfully paradoxical, registered in the ironic use of bright colours amongst truly uncomfortable positions, scenes and situations.  

Somewhat similarly, Anais Gambazzi’s Natura Selvaggia, crafted at Accademia di Belle Arte Aldo Galli Como, is utterly unnerving – inviting us into a realm where the mundane and mystical meld in the most unsettling of ways, with everyday objects reimagined as fantastical beings. Blurring the lines between the animalistic and human, the real and the imagined. As such, the collection not only showcases the diversity of thought and creativity but also serves as a metaphor for the myriad possibilities that coexist in our world.

A person with a long braid and a blue T-shirt looks at a pink frosted cake. The cake sits on an orange table against a purple backdrop, with a few cherries and crumbs scattered around it.
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Nicoletta Figliuolo: It’s gonna be OK (Copyright © Nicoletta Figliuolo, 2024)

A person’s hand holds a silver, reflective booklet against a clear blue sky. The cover features the word “out.in” in white lowercase letters.
Above

Valerio Buccolieri, Luna Rainaldi, and Swami Soccorsi: Out-In (Copyright © Valerio Buccolieri, Luna Rainaldi, and Swami Soccorsi, 2024)

Equally empathetic (if significantly less uncanny-valley) is Out-In from Valerio Buccolieri, Luna Rainaldi, and Swami Soccorsi at IED Roma, who together tackled the change in the mental health of adolescents across a data-driven, research-based publication. Documenting the years between 2019-2022, Out-In focuses on the pandemic’s effects on teenagers’ daily lives. Created in two parts, an essential section of the first book, designed entirely in black and white, concerns an art workshop that engaged the students at the Don Mario Picchi Italian Solidarity Centre. The second companion book maintains the same grid structure as the first but presents a more colourful style, including 25 works of art and 15 drawings created in collaboration with two artists. Five colours were selected, each associated with specific emotions, and gradients were then made, each linked to a specific disorder, enlivened through graphic pop-ups and curiosities on the subject.

As we can see, IED’s global outlook, coupled with its strong cultural identity, welcomes creatives from across the world, creating an inviting environment that not only enriches the educational experience but also prepares students to thrive in a globalised world. The Istituto Europeo di Design continues to commit to its mission of nurturing creativity and fostering new innovative minds. Through their art and design, IED students not only tell their stories but also invite us to see the world through a new lens.

A white square book leans against a dark wooden wall. A small mirrored square on the cover is topped with the text “out·in”.
Above

Valerio Buccolieri, Luna Rainaldi, and Swami Soccorsi: Out-In (Copyright © Valerio Buccolieri, Luna Rainaldi, and Swami Soccorsi, 2024)

Four open spreads from a black and white publication. The pages feature a mix of documentary photography, layout grids and blocks of text in Italian and English.
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Valerio Buccolieri, Luna Rainaldi, and Swami Soccorsi: Out-In (Copyright © Valerio Buccolieri, Luna Rainaldi, and Swami Soccorsi, 2024)

Four open spreads from an art book, each featuring a painting alongside a page of text. The works include a vibrant abstract piece with a central white glow, a deep blue portrait, two dark monochromatic studies, and a soft, colourful figure.
Above

Valerio Buccolieri, Luna Rainaldi, and Swami Soccorsi: Out-In (Copyright © Valerio Buccolieri, Luna Rainaldi, and Swami Soccorsi, 2024)

A person sits in a white bathtub filled with soapy water, their back to the camera. A small yellow rubber duck sits on their head, while several others float in the water.
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Nicoletta Figliuolo: It’s gonna be OK (Copyright © Nicoletta Figliuolo, 2024)

A white steam iron stands upright on a piece of draped gold fabric. A large, scorched hole is burnt into the material beside it, set against a deep blue backdrop.
Above
Left

Nicoletta Figliuolo: It’s gonna be OK (Copyright © Nicoletta Figliuolo, 2024)

Right

Nicoletta Figliuolo: It’s gonna be OK (Copyright © Nicoletta Figliuolo, 2024)

Small white slips of paper with the word “CCCC” printed on them are scattered across a green floor. Several more slips lie inside a small white booth with a grey stool and a metal floor.
Above

Nicoletta Figliuolo: It’s gonna be OK (Copyright © Nicoletta Figliuolo, 2024)

A person wearing yellow tights and blue pointed shoes stands on a vibrant blue surface. Several oranges are scattered around them, with one resting inside a brown paper bag.
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Nicoletta Figliuolo: It’s gonna be OK (Copyright © Nicoletta Figliuolo, 2024)

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IED

IED is the largest Higher Education Network in the creative field to have maintained a global outlook and a deeply Italian cultural matrix, since 1966. An international group with a proudly local outlook and 11 campuses in 3 countries, Italy, Spain and Brazil.

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Nicoletta Figliuolo: It’s gonna be OK (Copyright © Nicoletta Figliuolo, 2024)

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