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This dazzling advert for The Great British Bake Off blends stop motion with food photography

Isabel Garrett animates an almost biblical retelling of the beginning of all time, from human evolution to primordial soups (literally!)

Date
17 September 2025

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The Great British Bake Off might be Britain’s most beloved television show. The baking competition has featured hundreds of cast members, including celebrities and children, with several iterations created for charities like Comic Relief and Stand up to Cancer. Mostly, all of the fun of the TV show is in the amateur bakers, who lead to hilarious muck-ups or pull off amazing cake sculptures. So, how does the 16th season deliver on a decade and a half of primetime television? Of course, the incredibly reliable Blinkink step in with a stop-motion advert about the beginning of all time, also known as the “bakening”, fronted by the brilliant Isabel Garrett.

Beginning with an egg yolk flying like a comet through a dark void, a cosmic swirl is created, then sprinkled with flour before berries drop into its primordial liquid, breaking the illusion. It’s stop motion meets food aesthetics, which seems like a match made in heaven, though that didn’t stop the process from being pretty chaotic, and improvisation was key. “Maybe unsurprisingly food and stop motion don’t normally go well together, so we had to do a bit of figuring out as to what we could make with real food and what needed to be inedible,” says Isabel. “In the end the main set was built with more solid materials like foam, sculpts of cakes and so on, with piped colourful icing details on top to make it look nice and edible.”

An animation of a surreal landscape made of cakes, pastries and frosting under a blue sky. A yellow smiling face with glasses floats in the air as the camera moves subtly through the scene.

As the ad continues an animated segment made out of powdered frosting depicts the literal evolution of the show’s hosts Noel Fielding and Alison Hammond, from tadpole to mop-topped gorilla. The process was done in a few stages – first, the sequence was digitally animated by Nelly Michenaud in 2D, then stencils were created from them, and David McShane animated each frame over different slabs of sponge cake. The level of fun in this trailer comes naturally from animators who love Bake Off and its undeniable charm. “It’s a very wholesome bunch of people baking lovely things in a tent, but it’s also so dramatic and there’s so much tension when things go wrong, or when Paul and Prue roam around watching silently,” says Isabel. “I wanted to get the contrast of those two thing – big and epic but also very down to earth and fun, just celebrating the simple joy of baking.”

Translating skills learned from working with clients such as Coldplay, Whiskas, and Darbo, Isabel brought honed skills in conceptual coherence and blending of different medias to the pot. Mixing stop motion, 2D animation, live-action, and strange abstract food photography together was no small feat, but her experience on Coldplay’s 🌈 ('ALiEN HiTS/ALiEN RADiO') and the animation team gave her the confidence to lead the audacious ad. “There are too many other wonderful collaborators to list, but everyone really did such a brilliant job on this,” says Isabel.

A felt illustration of two people standing in a lush, green jungle. One person wears a pink striped jumper and blue trousers, while the other wears a leopard-print coat.
An animation in which a white shape on a textured brown background morphs into a person with dark hair. They stand among green tropical leaves and talk to another person wearing a leopard-print coat.
A 3D render of a small, golden snail-like creature with large eyes in a surreal landscape made of cake and frosting. The scene features purple frosting mountains, piped cream clouds and a field of colourful icing flowers.
An animation in which a distant galaxy in a dark starfield zooms in to become a blue eye. The camera continues to pull back to reveal a person with grey hair and a light blue shirt, standing in a kitchen.
A 3D render of three fluffy, swirling clouds in shades of purple and blue. They float against a dark, deep purple background.
An animation of various sweets and desserts. It shows cinnamon rolls being dusted with icing sugar, cream being piped onto a pink cake, a knife swirling colourful frosting, and yellow and pink star-shaped biscuits.
A whimsical 3D render of a surreal cake structure against a bright blue background. The dessert features a tilted, disc-shaped layer topped with orange swirls and stars, resting on a red tiered base and a green fluted pedestal.
An animation of a surreal landscape made from cake and frosting under a purple sky. A small, brown, slug-like figure with wide eyes looks around as it moves through the sugary terrain.

Hero Header

Director: Isabel Garrett

Production Company: Blinkink

Executive Producer: Bart Yates

Head of Production: Alex Halley

Producer: Molly Turner

Production Assistant: Calum O'Toole

Client: 4Creative

Head of Marketing: Sian Gray

Marketing Lead: Gabi Schuman

Agency: Channel 4 Creative

Executive Creative Director: David Wigglesworth

Director of 4Creative: Miketta Lane

Head of Production: Charlie Bettice

Creative Director: Lex Down

Executive Producer: Jason Delahunty

Senior Producer: Lauren Michael

Production Co-ordinator: Amelia Croom

Creative: Sofie Saietz

Creative: Simone Weilborg

Storyboard Artist: Ed Smith

Character Design: Luca Schenato

Character Design: Andrew Brookes

Concept Artist: Clément Danveau

Showstopper Design: Daisy Collingridge

2D Animation: Nelly Michenaud // Studio Orca

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About the Author

Paul Moore

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Paul M (He/Him) is a Junior Writer at It’s Nice That since May 2025. He has a strong interest in graphic design, digital kitsch, multimedia painting, collage, nostalgia, analogue technology and all matters of strange stuff. pcm@itsnicethat.com

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