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A 3D render of a person with long, blue braided hair standing against a chain-link fence. They wear a dark top with a white spiral symbol and a long blue skirt under a purple twilight sky.
A 3D render of a person with long, blue braided hair standing against a chain-link fence. They wear a dark top with a white spiral symbol and a long blue skirt under a purple twilight sky.

As if! A whimsigoth teenage witch from the mind of animator Bree O’Donnell is taking the internet by storm

This dark 3D universe is forged by artist Bree O’Donnell, whose relationship to girlhood is transmitted through 3D animations of the witchy Mary, Bree’s original character

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Date
7 January 2026

Since 2022 the Brooklyn-based filmmaker and animator Bree O'Donnell has been creating short clips of Mary, a teenage witch from the fictional town of Portsmith. With an ever-increasing fanbase across Bree’s Instagram and TikTok channels, Bree tells us that Mary’s inspiration is close to home. “She’s is inspired by all the girls that I hung out with in suburbia, girls who were powerful, girls who dreamed, girls who I wanted to be with,” shares Bree.

Often lit in deep purples and greens, Bree blends a fantastical, sci-fi inspired colour palette with a mysterious visual narrative, depicting Mary – quite like your average teenager – looking rather pensive while making her way across various spots around her fictional hometown. Made in short-form with no captions and no dialogue offering even a sliver of information, these snippets leave the audience wanted to find out more about Mary’s lore. One particular TikTok (now at nearly one million likes) stands out for Bree. Set to Poison Girl Friends’s 1992 airy trip-hop track Hardly ever smile (without you), it features Mary hurtling through a dreamscape – a blissful wind running through in her glittering hair.

It’s often Mary’s hair that the eye is drawn to, especially as Black hair has long been a topic grappled with, often lagging behind advancements in computer graphics. In the portrayal of Black characters, formulas to depict textures often stick to culturally approved styles like the Killmonger locs. Bree adds to the growing variety of styles in the 3D space. She says: “similarly to Mary’s personal style, this specific animation really pushes the box of our practice and animation aesthetics.” With such a massive fanbase, its clear that there’s an appetite for depictions of Black longings especially in the era of The Summer I Turned Pretty sincerity.

Bree’s work is also a tool to unpack her own inner world. “With Mary, the audience and I both grapple with longing and desire, which have been pillars of my trans-feminine experience.” Sincerity is back, as marked by Mary’s ever-expanding lore. Currently, Bree is working on a short film which will dive deeper into Mary’s story as the witch of Portsmith.

GalleryCopyright © Bree O'Donnell

A person in profile is lit with shimmering blue and purple light. They are set against a dark background featuring glowing neon stars and spirals.
A 3D render of a person standing against a dark, reddish background. Their long, flowing hair is made of shimmering blue particles that trail down their shoulder.
A 3D render of a person with long, blue braided hair standing beneath a weathered “BUS” sign. They wear a black top with a white swirl design and look off to the side against a purple twilight sky.
A blurred silhouette of a person leans back against a glowing blue background. Their arm is outstretched and their hair is captured in a motion blur.
A person with long, voluminous curly hair leans back in a dynamic pose against a dark, blurred background of purple and red light. They wear a black outfit and white shoes, holding onto a dark cable.
A 3D render of a figure with long dark hair and large, glowing white eyes. They wear a black outfit and silver hoop earrings, set against a dark background of swirling purple and blue light.
A 3D render of a figure with a towering, textured beehive hairstyle and large, expressive eyes. They look upwards with a pensive expression against a deep blue and purple gradient background.
A 3D render of a figure with long blue hair standing by a bus stop at dusk. They wear a blue top and a long blue skirt, leaning against a signpost under a purple sky.
A black bird with a yellow beak perches atop a metal weather vane. The vane sits on a pointed, dark purple roof against a blurred blue and green background.

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Copyright © Bree O'Donnell

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About the Author

Sudi Jama

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Sudi Jama (any pronouns) was a staff writer at It’s Nice That from April 2025–January 2026, and is now a freelance writer. They have a keen interest and research-driven approach to design and visual cultures in contextualising the realms of film, TV, and music.

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