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An animation of a purple and white graphic poster with a smiley face and a palm tree. The layout features text including “Drunk on REM”, “Hypno Floor” and “Paradise”, while a circular element moves vertically.

Graphic designer HeeJae Kim uses personal projects as an opportunity for “fun and growth”

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Date
24 May 2019

Korean American graphic designer HeeJae Kim’s portfolio is one full of colour and personality. While some familiar elements do appear across his designs, HeeJae’s work is always underpinned by an attitude towards graphic design that sees typographic elements handled in an illustrative manner, a fact that’s inspired by his initial studies in illustration.

HeeJae studied illustration at RISD but “the entire experience was a slow realis ation Illustration wasn’t right for me," he tells us. During his senior year, he experienced a crisis, feeling lost so close to graduation. “A couple of friends in graphic design encouraged me to take a typography elective for Winter session. This was a key moment.” Here, he was introduced to the principles of graphic design, understanding composition in a way he previously hadn’t. “I found the two practices complemented and informed each other. My skills as an illustrator improved while my approach to graphic design was loose and exploratory,” he explains. Feeling motivated and driven, HeeJae spent the rest of his final year creating a graphic design portfolio and, since graduating in 2016 has worked as a freelance designer, including a stint at Sagmeister & Walsh and now works at Apple.

As someone who found his way into the medium through another, it follows that HeeJae describes the broad nature of graphic design, and its ability to “house various disciplines like illustration, motion, photography” as one area that particularly interests him. His portfolio, therefore, straddles multiple disciples, with every project utilising a wide range of his creative skills.

An animation of a bright red magazine cover advertising a product called “The Paradiser XR-8Z”. Two 3D cylindrical objects float and shift slightly over the page, which features bold yellow text reading “Dream in hi-def with the Paradiser”.
Above

HeeJae Kim: Zone Out S1

“Like most," he tells us, “I’m drawn to projects that allow creative freedom”. For HeeJae, this means a significant amount of effort put into personal projects. As he puts it: “They possess the most opportunity for fun and growth. It’s a challenge of self-initiative and commitment and provides a break where the client is you and you’re focusing on self-growth.”

One example of this is Zone Out S1, a series of animated posters inspired by his commute between the New Jersey suburbs (where HeeJae grew up) and New York City. “On weekdays, I took the NJ transit bus and NYC MTA subway. I saw my commute as existential repellant: defined by destination and perfect to idly zone out," he explains. Zoning out and letting his mind wander, as it happens, is how HeeJae gets a lot of his ideas he explains.

For Zone Out S1 this allowed him to approach the series at a stream of consciousness. “My main initiative was to play with motion as a tool for narrative and an opportunity to create a reveal for each poster," he outlines. “I wanted each to transform elements on screen or have characters interact with environments.” This kind of approach is typical of HeeJae’s practice in which a sense of play and exploration are key. No matter what the project, whether it’s moving posters based on his commute or a series turning the objects on his desk into typographic experiments, he tells us: “I try to always experiment and have fun with my process.”

An animation of a graphic ticket in pink, blue and orange with subtle movement. It features a smiling figure in a cap and bold text including “WHERE TO?”, “IN TRANSIT TICKETS” and “START”.
Above

HeeJae Kim: Zone Out S1

An animation of a bold, graphic poster in red, blue and yellow. Text includes “FOREVER INBOUND”, “NOW PLAYING” and “ZONE OUT”, while a profile of a face and various symbols shift and morph.
Above

HeeJae Kim: Zone Out S1

An animation of a yellow poster featuring a 3D blue and white security camera. The camera lens extends and retracts, revealing a smiling face inside. Bold text reads “WARNING A24/7 SERVICE” and “CCTV YOUR LIFE AWAY”, with “ZONE OUT” at the bottom.
Above

HeeJae Kim: Zone Out S1

An animation in which various colourful product labels and tickets stack on top of one another against a black background. Recognisable elements include a Dunkin’ Donuts receipt, a Toblerone triangle, an Apple label, and a cinema ticket for “Suspiria”.
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HeeJae Kim: Objects On My Desk

A black and white zine titled “A Hundred Day Poster Project Vol. One” is shown open against a black background. One page features a bold, abstract smiley face, while another shows a yellow page with a collage of circular objects and the text “space saucers for sale”.
Above

HeeJae Kim: Hundred Day Poster Project Volume One

A black and white graphic layout featuring bold typography and abstract shapes. Central text reads “A HUNDRED DAY POSTER PROJECT VOL. ONE” alongside the phrase “100 HUNDRED DAILY DOSES”.
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HeeJae Kim: Hundred Day Poster Project Volume One

An open book shows a grid of white stencilled illustrations on a black background. The abstract, face-like shapes are arranged in four rows across two pages.
Above

HeeJae Kim: Hundred Day Poster Project Volume One

An open book shows a bold typographic design on the left page reading “HELL” and “FUN” in alternating rows. The right page contains a block of text reflecting on the creative process of a poster project.
Above

HeeJae Kim: Hundred Day Poster Project Volume One

Two small posters displayed side by side. The first features red and grey abstract shapes with the text “salmon carrots”, while the second shows a dark blue composition with a yellow shape and a white oval. Both include a data block at the bottom listing the date, inspiration and mood.
Above

HeeJae Kim: Hundred Day Poster Project Volume One

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About the Author

Ruby Boddington

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Ruby is Senior Creative at It's Nice That, overseeing our visual output across platforms and projects. Before that, she was associate editor on the editorial team, after joining in September 2017 following graduation from Central Saint Martins.

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