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A two-panel illustration. In the first, a person looks at a photo in an album showing them holding a tiny person in a wedding dress. In the second, the person smiles at the camera while holding a book that simply reads “PHOTO”.

Gudim Anton’s humorous comic strips take a fresh perspective on the mundane

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Date
10 March 2017

Moscow-based illustrator Gudim Anton creates short panelled comic strips full of visual puns and odd quirks, all with a fresh perspective on the world. Drawing in vector graphics, Gudim’s style is neat, contained and full of pleasing pastel hues. Aiming to “show a different look at everyday things”, Gudim gets his ideas from his surroundings and from what he sees on the internet and social media.

Coming up with those new ideas is the most challenging part of the illustrator’s process, and he adopts a methodical approach: “I make notes when I see things and then draw it up later,” he says. “It’s really important to me that the ideas I present are as simply communicated as possible. I don’t like long comics with lots of speech balloons.”

Gudim’s sparse style relies solely on his concise storytelling ability and he manages to convey familiar situations and images in a completely fresh and funny way sharing them on his growing Instagram channel. In his works we see a nose ring become a pin for a grenade, a chewing gum bubble with an attitude and a teabag that’s actually a plug in a cup of tea. “I enjoy that I can leave something after me and the fact I can speak to people in a really visual way,” Gudim says.

A three-panel illustration of a person with long grey hair. In the first two panels, they hold a lit match to a fuse coming from their nose; in the final panel, their head explodes into a large pink cloud.
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Gudim Anton

A three-panel illustration of a person blowing a bubble with pink chewing gum. In the final panel, a tiny figure wearing a hat appears inside the bubble.
Above

Gudim Anton

A four-panel comic illustration. A person sleeps in bed in the first two frames, then wakes to find they have large blue butterfly wings. In the final frame, they wear a suit and carry a briefcase, flying out of a doorway.
Above

Gudim Anton

A four-panel comic illustration. In the first two panels, a person makes a heart shape with their hands while another person looks on with a joyful expression. In the next two panels, the first person uses their hands to frame the words “AS A FRIEND” on their chest, leaving the second person looking disappointed.
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Gudim Anton

A three-panel illustration shows a close-up of a person’s face. In the first panel, they smoke a cigarette; in the second, the cigarette transforms into a lollipop. In the final panel, the lollipop reveals a tiny pink character blowing a bubble.
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Gudim Anton

A two-panel illustration of a tired person. In the first panel, a stream of liquid pours into a white cup. In the second, the person leans their head on their hand as a single tear falls from their eye into the cup.
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Gudim Anton

An illustration of a person in a grey suit curled up in a fetal position on a pavement. Other people in similar suits walk past them, ignoring them.
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Gudim Anton

A two-panel illustration of a clothing store. The first panel shows a storefront with a large pink sign reading “-50%” and a header that reads “BRAND”. The second panel shows the interior with suits on hangers and shoes on shelves, alongside more “-50%” sale signs.
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Gudim Anton

A three-panel illustration shows a person creating tattoos. In the first panel, they pour a packet labelled “TATTOO MIX” into a pot of grey liquid. In the final panel, the person dips their arm into the pot and pulls it out covered in tattoo designs.
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Gudim Anton

A four-panel comic strip shows a person sitting at a desk in a green office. They open a window for fresh air, but the final panel shows the room filling with clouds and fog.
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Gudim Anton

A four-panel illustration showing the process of making tea in a teal cup. A tea bag is placed in the cup, hot water is poured in, the bag is dipped, and then removed to leave a dark brew.
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Gudim Anton

An illustration of human evolution showing a sequence of figures walking from left to right. The final figure is a person with a dog's head, holding a smartphone in front of their face.
Above

Gudim Anton

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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