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A person wearing a cap and dark jacket stands facing a tiled wall in a station. A mosaic panel features the number “96” twice, framed by blue and gold geometric patterns.

Philip Coppola spends nearly 40 years illustrating New York City’s Subway Stations

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Date
21 April 2016

The Great Big Story is a New York-based video network dedicated to delivering stories on the “untold, the overlooked and the flat-out amazing.” For its latest instalment it talks to Philip Coppola, a man who loves New York’s subway stations so much that he’s spent the last 38 years sketching them in glorious detail with just a ball point pen. 

The film follows Phil studying the intricate mosaics that decorate the subway stations and tells the tale of how this “passion project” took off. “Why am I doing this? My purpose in this study is to make a record of what we’ve got,” Phil says in the film. “I want to document when it was done and give credit to those who made it possible.” Phil started the all-consuming project in 1978 and has created four volumes of drawings so far. He thinks he’ll be close to cataloguing all 469 stations by about 2040: “I’ll be in my 90s then… I hope I can see!”

A person wearing a beige cap and grey jacket stands on a platform, writing in a patterned notebook. They look ahead with a focused expression, holding a blue pen.
Above

Great Big Story: A Big (Apple) Passion Project (still)

A detailed architectural drawing of a building plan. A large number “42” is framed in a decorative border, with labels such as “Ivory”, “White” and “Dusky Rose” marking different sections.
Above

Great Big Story: A Big (Apple) Passion Project (still)

A close-up of a person’s hand using a black pen to draw a diagram on a piece of white paper. Handwritten notes including “Oranges + Burgundy” are visible beside the technical sketch.
Above

Great Big Story: A Big (Apple) Passion Project (still)

A close-up of an intricate engraving featuring the number “103” inside a decorative circular frame. Small labels point to different sections of the design, including “Dull Viridian”, “Ivory”, “Blue” and “Ochre”.
Above

Great Big Story: A Big (Apple) Passion Project (still)

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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