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A black and white illustration of a symmetrical, futuristic corridor lined with rows of shelving. A small figure stands in the distance, facing a single white vase on a hexagonal plinth in the foreground.

Geriko's sweeping cinematic animation for Lorn

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Date
20 September 2016

Geriko, the Franco-Belgian creative duo of Hélène Jeudy and Antoine Caëcke, creates cinematic animations bound to make your jaw drop. In its most recent music video for Lorn its sweeping cityscapes are full of immense detail from interiors to technological devices.

Inspired by Japanese and Belgian comics, the animation is eerie in a futuristic monochrome world. Set in the year 2100, the music video interprets the title of Anvil as a postmortem social network mandatory to all “in an effort to combat overpopulation”. Musician Lorn gave the duo complete free reign: “He allowed us to choose one track from his latest album and gave us full creative freedom to explore and develop bot the narrative and the aesthetic of the piece. It was a great privilege to be awarded so much trust and creative licence by an artist we deeply admire,” Geriko explains.

In “a mixture of digital 2D, 3D, and traditional animation”, the video follows a female through a journey into an advanced afterlife, repeated shapes constructing hovercrafts, looming architecture and ominous corridors. Influenced by conversations between Hélène and Antoine “about social networks and connectivity in day to day life, we laid the foundation for our story”. Built from the pairs’ individual illustration work, alongside “sprinkled references of works we love such as Akira by Katsuhiro Ôtomo and a nod to Irene Cassini, a character in Andrew Niccol’s Gattaca” this video is both advanced in its content, elevated by references from the past.

A black and white manga illustration of a large, mechanical structure with heavy, angular beams. The machine looms over a foreground of dense, pointed grass and rounded bushes.
Above

Geriko: Anvil (still)

A black and white illustration of a hand touching a high-tech control panel. The screen displays a schematic of a skull wearing a helmet, alongside various symbols and the time “17:57”.
Above

Geriko: Anvil (still)

A black and white illustration of a dense, futuristic cityscape. Towering skyscrapers and complex structures are packed together, with plumes of smoke rising into a dark sky.
Above

Geriko: Anvil (still)

A black and white illustration of a surreal, futuristic landscape. A gridded path leads towards a central building, flanked by jagged rock formations and abstract geometric structures.
Above

Geriko: Anvil (still)

A black and white illustration of a jagged, rocky canyon. In the centre, a small, glowing screen sits on a platform, surrounded by sharp white cliffs.
Above

Geriko: Anvil (still)

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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