Launch Recite Me assistive technology
An illustration of a blue and white comic strip showing a sequence of figures interacting. The figures move through a series of panels, helping and pulling one another across the frames.
An illustration of a blue and white comic strip showing a sequence of figures interacting. The figures move through a series of panels, helping and pulling one another across the frames.

Evan Cohen’s illustrated characters work together to travel through the panels of his comic

—
Date
17 January 2018

Evan Cohen’s latest comic sees a community of characters working together to travel through the panels of their own story. Aiming to create a kind of 21st Century parable, Visions is an exploration of relationships, spiritual and physical, he says. “Set within a story about creation and ancient myth, it’s about the connections we share with our community and the world at large.”

The comic follows the characters as they walk, dig, clamber, fly and warp their way through the book, and their journey, like Lemmings. Evan cleverly plays with the format of the comic book, wherein the characters manipulate and traverse the panels as their landscape. “I’ve been trying to break the rules surrounding comics without going too far into the abstract. I’m finding my own way of stretching out of the normal system and making a voice of my own.” The characters travel as a unit, helping each other overcome obstacles to get to their destination, which Evan says is enlightenment.

“I wanted the story to feel like ancient lore that could be passed along through generations. The community must come together and work as one to find peace in their own world. Hopefully the viewer is left with a sense of wonder and filled with a more positive outlook on life.”

Visions is different in style and colour to the last comic of Evan’s we featured, Noise – a black and white story about isolation, which conveyed anxiety and loneliness. This, he says, is “hopeful and fantastical” using bright colours and more playful imagery. Considering Risograph printing as well, the illustrator chose a simple but vivid palette. “A few colours can really heighten important parts of an image,” he explains.

Some pages purposely jump out of the narrative as a break, to portray a specific feeling or experience, or tell a small side story within the story – a snippet of the larger picture. “Pages that surprise you or even confuse you are powerful tools in storytelling,” Evan says. “I feel they keep the reader wanting more and staying longer.”

An illustration in blue, white and yellow. A figure with a blue head and body is partially submerged in a landscape of rolling blue and white hills under a large yellow sun. Above this scene, four panels show a stylised blue figure and flowing blue and white shapes.
Above

Evan M Cohen: Visions

An illustration in blue and pink. A large figure looks down at a tiny person standing in the palm of their hand. Below, a comic strip shows the tiny person walking, crouching and then being lifted up by a hand.
Above

Evan M Cohen: Visions

An illustration of two large white birds carrying people through a blue and yellow sky. Below, a four-panel sequence shows a yellow sun rising over a white landscape.
Above
Left

Evan M Cohen: Visions

An illustration showing a sequence of 16 panels that morph a human face into a DNA double helix. The blue and pink figures gradually stretch and simplify into vertical lines before twisting into a spiral.
An illustration in blue and pink showing numerous figures using pickaxes and shovels to dig through a rocky landscape. Two giant pink hands emerge from the ground, dwarfing the people working around them.
Above

Evan M Cohen: Visions

A blue and white illustration arranged in a grid of 15 panels. Faceless figures in coordinated outfits engage in a series of acrobatic movements and lifts.
Above
Left

Evan M Cohen: Visions

An illustration in blue and white divided into two panels. The top panel shows a person peering over a white sheet, while the bottom panel shows three people riding a giant white dog that walks through a crowd of smaller figures.
An illustration of a group of blue figures forming a human pyramid to reach a giant pink hand. A bright yellow sun glows behind the hand against a blue dotted sky.
Above

Evan M Cohen: Visions

A blue and white comic strip across 16 panels. Two figures meet and embrace, gradually merging into abstract shapes that transform into a sky filled with pink and white clouds.
Above

Evan M Cohen: Visions

An illustration of a large, blue-toned figure with their hands cupped. A crowd of smaller blue figures stands below them, while one small figure is highlighted within a yellow circle.
Above

Evan M Cohen: Visions

An illustration of a large figure holding their hand over a smaller, kneeling figure, casting a yellow beam of light. Below this, two rows of panels show the smaller figure moving and then gradually dissolving into abstract blue and yellow shapes.
Above

Evan M Cohen: Visions

An illustration of a central figure with their eyes closed, holding a large white flower against their chest. They are surrounded by a grid of panels containing smaller, blue-toned figures in various poses of waiting and reflection.
Above

Evan M Cohen: Visions

An illustration of a large blue face surrounded by a grid of smaller panels. Each panel shows a figure in a blue shirt and white trousers performing different yoga or stretching poses.
Above
Left

Evan M Cohen: Visions

An illustration of a large, faceless figure in blue and white, framed by a bright yellow circle. Numerous smaller blue figures sit and stand across the larger figure’s shoulders and arms.
An illustration for a book cover featuring a blue and white figure curled in a fetal position. Above them, a large yellow circle sits beside the word “visions” in blue lowercase type. The author’s name, “Evan M. Cohen”, is written at the bottom.
Above

Evan M Cohen: Visions

Share Article

Further Info

About the Author

Jenny Brewer

—

Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

To submit your work to be featured on the site, please see our Submissions Guide.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.