Launch Recite Me assistive technology
A series of three surrealist illustrations with bold colours and abstract shapes. The first features a distorted face with a globe for an eye and the text “stop defining yourself”. The second shows a white liquid pouring from a tube into a blue vessel, captioned “always finish what you have begun”. The third depicts a dark, fluid form leaning down to a small character holding a slice of pizza, with the text “develop your generosity — but secretly”.
A series of three surrealist illustrations with bold colours and abstract shapes. The first features a distorted face with a globe for an eye and the text “stop defining yourself”. The second shows a white liquid pouring from a tube into a blue vessel, captioned “always finish what you have begun”. The third depicts a dark, fluid form leaning down to a small character holding a slice of pizza, with the text “develop your generosity — but secretly”.

Camilo Medina’s psychedelic illustrations will transport you into the trip of a lifetime

—
Date
27 July 2018

Camilo Medina’s illustrations are wacky, weird and we love them. They remind us of the 1940’s Walt Disney film Fantasia, surreal, but also a little bit frightening. Camilo is influenced by artists who use “a unique gloopy style”, his words we promise, and his work includes shapes that droop, wave and distort.

His illustrations contain a combination of apparently disparate elements, which form vibrant collages with a grainy retro sheen. “I’m inspired by designs that make me laugh”, the artist tells us, “like bad restaurant menus, truck graphics and bootleg toys”. Camilo is clearly amused by items that are odd or those that are so bad that they become funny. His pieces are full of this creepy strangeness: a walking duck’s mouth with palm trees for eyes, or a sun smoking a flower. Yes, even writing those words in tandem feels weird. “I think my work comes off as surrealistic because of my incapability to make something realistic”, he comments. However, the fact that he struggles to make tight, representational work is to his advantage; Camilo combines abstractness with figurative elements to create bold and psychedelic illustrations. You feel as if you’ve walked into the ultimate trip.

“I like to start with a ridiculously funny idea and work backwards”, Camilo tells us. “Sometimes it’s hard to share progress with clients because most of my work looks incredibly terrible until the very end”. All of his pieces begin by him drawing with permanent marker; he uses bright gradients to create “sugary vibes” and optimism in a world clouded by a dark political climate.

Camilo has always been inspired by music, be it through playing in a band or doing work for Pitchfork magazine. “The idea of making something out of nothing and sharing it with the world is something that I had done with music way before I did it with visual art”, he tells It’s Nice That. “I like when things feel true and real in music; in my art, I like combining visual elements that give me a unique feeling, whether it’s sexual, silly or nostalgic”. Camilo’s images certainly do this; with their wonderful weirdness, they cast an instant spell.

A colourful event poster for a party at “Virgin Hotels Chicago” on “July 14”. A central figure with a pink mask face and a striped blue and green body is surrounded by the names “Frankie Cosmos”, “Hoops” and “Divino Niño”. Additional text reads “Floor 25” and “Free 9pm”. A separate circular badge reads “Official Pitchfork Afterparty” and a small illustration shows a blue creature against a gradient background.
Above

Camilo Medina

An illustration of a red diamond-shaped frame showing a red hand shaking a white, ghost-like figure. The frame balances on a grey stone plinth against a light blue background. To the right, a red circle contains a stylised wolf head above a white flame graphic.
Above

Camilo Medina

An illustration of a surreal scene featuring a large, gradient-coloured boot in red, orange and green. Above it float a blue wavy shape and a purple, octopus-like figure, with the words “choses sauvages” at the top.
Above

Camilo Medina

A colourful illustration featuring a stylized sun with a face and a pink flower. A yellow line connects the two, looping around a central architectural shape that contains the word “BEAR”.
Above

Camilo Medina

An illustration of a surreal landscape with a white cup and a single cherry on a flat plane. A thin red line curves from the cup up towards a black rectangle and a pink sky with a crescent moon. Stylised text reads “Paul Cherry” and “Yesterday”.
Above

Camilo Medina

An illustration of a pink, spherical figure with a distressed expression. A white, winding line connects a glowing yellow sun to a large, multi-layered orange shape.
Above

Camilo Medina

A colourful poster for a musical event featuring a large, red and yellow gradient shape resembling a bottle. A small, smiling face is positioned to the left, connected to the bottle by a thin white line. Text at the top reads “JUNE PASTE”, with the names “Sean Green”, “Tanukikichan” and “Los Gold Fires” listed on the right. The bottom of the poster displays the date “07 29 18” and the price “$5”.
Above

Camilo Medina

An illustration for a Kevin Krauter project titled “Toss Up”. A small green ball sits on a large, dark circular disc with a rainbow-coloured rim, set against a deep blue night sky with soft clouds.
Above

Camilo Medina

Share Article

Further Info

About the Author

Emma Latham Phillips

—

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.