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A close-up of a smooth, pale sculpture with rounded, organic forms. The curved shapes overlap against a plain light blue background.

Bea de Giacomo photographs the wonders of pregnancy

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Date
15 November 2017

Milan-based photographer Bea de Giacomo describes her aptitude to the medium as combining “elements hailing from different photographic fields”. As a result her portfolio mixes fashion, still life and snapshots with a client list of Gucci and Missoni, and publications such as Alla Carta and The Wire. However, it is a personal project of Bea’s Linea Alba, that displays her sensitive photographic ability, producing a series of images we couldn’t look away from.

The protagonist in Linea Alba Bea explains “is maternity, represented through a series of photographs which are so straightforward, that the weight and density of the womb can be perceived,” she says. “Here, maternity has an objective, sculptural, suspended presence, at the limit between the set of an advertising spot and the mystery of life.”

As a series, Linea Alba sees the photographer capturing images of her sister’s pregnancy with a closeness and intimacy that represents what a miracle the act of having the baby is, and the way the whole process seems almost otherworldly. Throughout the series you never see Bea’s sisters face, only represented through her brooding bump, photographed with ethereal lighting that adds an apt magic to each of the photographs. By focusing “especially on the belly, I explored with her the relationship between her transformed body and the space, and at the same time I started to bond with son,” explains the photographer.

Working on the project with a family member Bea also says that it has restored a new connection. “During this intimate and private moment, the nature of my relationship with them evolves and finds new meanings.”

A close-up of a smooth, pale yellow surface covered in small, clear bubbles. The curved edge of the object is softly lit against a blurred, neutral background.
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Bea de Giacomo: Linea Alba

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Bea de Giacomo: Linea Alba

A close-up of a pregnant person's stomach. The skin is stretched tight over the curve of the belly, with a protruding navel.
Above

Bea de Giacomo: Linea Alba

A close-up profile of a pregnant person’s stomach. Soft light catches the curve of the belly, revealing faint blue veins beneath the skin.
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Bea de Giacomo: Linea Alba

A close-up of a person’s torso partially submerged in pale blue water. The skin is pale and smooth, with a faint, blurred tattoo visible on the side of their body.
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Bea de Giacomo: Linea Alba

A close-up of a person's knee emerging from a bath of thick, white foam. Tiny droplets of water cling to the skin.
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Bea de Giacomo: Linea Alba

A close-up of a person’s stomach featuring an abstract drawing in grey ink. The scribbled lines form a series of overlapping loops and geometric shapes across the skin.
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Bea de Giacomo: Linea Alba

Small pieces of colourful sea glass and pebbles are scattered across a person’s shoulder. The scene is lit by a soft, directional light that casts gentle shadows.
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Bea de Giacomo: Linea Alba

A close-up profile of a pregnant person’s stomach. In the blurred background, pale blue ocean waves break against a shore.
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Bea de Giacomo: Linea Alba

A close-up of a person’s leg and hip, with fine sand clinging to the skin. The background is a soft, blurred view of a beach and pale sky.
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Bea de Giacomo: Linea Alba

A large, pale pink sphere sits on a bed of light grey sand. Below it, a small striped watermelon and a pale melon rest side by side.
Above

Bea de Giacomo: Linea Alba

A close-up of a person’s stomach and hip. The skin is softly lit, showing a navel and natural folds.
Above

Bea de Giacomo: Linea Alba

A close-up of a pregnant person’s stomach resting against the rough, textured bark of a large tree trunk. The background is a soft blur of green foliage and blue sky.
Above

Bea de Giacomo: Linea Alba

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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