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A black and white photograph of a beach. In the foreground, a person is seen from behind, reaching an arm out towards another person walking along the shoreline. In the distance, a tall thin structure emits a plume of dark smoke into a pale sky.
A black and white photograph of a beach. In the foreground, a person is seen from behind, reaching an arm out towards another person walking along the shoreline. In the distance, a tall thin structure emits a plume of dark smoke into a pale sky.

A new lens on grief: Bade Fuwa is constructing soft and surreal scenes to process his past

First turning to photography as a way to “live and express”, image making has never been a hobby or a career for the photographer. Instead, it’s a vital unfolding of his innermost feelings of loss and despair.

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Date
3 July 2025

Like many great image makers, Bade Fuwa has found a space in photography to explore his inner world, speaking through surreal and tender scenes that touch on themes of loss, bereavement and belonging. Following the passing of his late mother in 2019, the photographer has seen a shift in his visual output and a renewed relationship to the discipline: “I believe for that period I had to force myself to stop feeling emotions so as not to grieve to death from the sadness. It was easy for me to express it all with photography, and I think that in that process my works became much bolder as I took photography as a means to live and express what I felt.”

Completely self-taught, the Lagos-based creative only really started to explore photography in 2023 and much of his work to date has been an experiment in self-expression. Turning to image-making from a background of study at fashion school, many of his portraits are an opportunity to carefully art direct and style scenes to convey complex emotions – “truly the most important thing when trying to capture an image”, he says. “I try not to overthink my process or the idea as I believe once you think about it you ruin it.”

Often Bade sticks to shooting in black-and-white, following in the footsteps of some of his largest photographic inspirations: Peter Lingerberg, Irving Penn, Helmut Newton and Richard Avedon. Rather than finding visual influence in contemporary photography, he has been drawn to those photographers “who lived, created art and truly existed – I study them and their works, not for their style but their story”, he says. Another important vehicle for visual inspiration in the artist’s works is nature: seascapes populate numerous frames and flowers appear to grow out of his subjects in others. “I think currently I'm in love with shooting nature; nature is beautiful and never judges,” he ends. “I feel there is a connection there. I don't know what it is I’m searching for but I will keep shooting with nature.”

A person in a long, patterned robe sits atop a white horse on a beach. A cluster of small stones floats in the air above their head against a pale sky.
Above

Bade Fuwa: The past feels lighter (Copyright © Bade Fuwa, 2023)

A black and white portrait of three people with shaved heads, their faces pressed together in a close cluster. They all have their eyes closed and expressions of calm.
Above

Bade Fuwa: Remember me (Copyright © Bade Fuwa, 2023)

A black and white photograph of a person seen from behind, shirtless and wearing dark shorts. Intricate, vein-like branches grow across their back and neck, blooming into a small cluster of flowers where the head should be.
Above

Bade Fuwa: Being a man is a burden (Copyright © Bade Fuwa, 2022)

A black and white portrait of a person wearing a white hijab, eyes closed. Another person’s hand reaches into the frame to gently touch their cheek.
Above

Bade Fuwa: Absence of a missing mother (Copyright © Bade Fuwa, 2022)

A person lies on a sandy, scrubby patch of ground, covered by a large, flowing white cloth. They look towards the right of the frame in this black and white photograph.
Above

Bade Fuwa: Nebuchadnezzer (Copyright © Bade Fuwa, 2022)

A black and white close-up of a horse's eye. Strands of a light-coloured mane fall across the top of the frame.
Above

Bade Fuwa: What belongs to ceaser (Copyright © Bade Fuwa, 2024)

A black and white photograph of three shirtless people wearing jeans in a dimly lit space. One person stands centrally, looking down, while the others are positioned behind them and to the side.
Above

Bade Fuwa: I'll wait for you (Copyright © Bade Fuwa, 2022)

A black and white portrait of a person with a blonde bob and bangs that partially obscure their face. They wear a crown of thorns on their head and a white fabric draped around their shoulders.
Above

Bade Fuwa: It rained on Valentines day (Copyright © Bade Fuwa, 2024)

A black and white portrait of three people draped in flowing white fabric that covers their heads. They look directly at the camera with neutral expressions, wearing large rings on their fingers.
Above

Bade Fuwa: Fuwa Time (Copyright © Bade Fuwa, 2023)

Hero Header

Bade Fuwa: Where is home (Copyright © Bade Fuwa, 2023)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

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