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A hand holds a vinyl record cover in front of a set of stone stairs, aligning the image on the sleeve with the real-life background. The cover features a person sitting on the stairs and reads “2000 VOLTS OF HOLT”.

Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch

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Date
25 October 2016

Photographer Alex Bartsch has painstakingly researched and sought out the original locations of 42 reggae record sleeve cover shots, and rephotographed them in situ. By meticulously matching the record sleeves with their background, Alex has created a fascinating series that represents not only serious patience and eye for detail on his part, but also paints a picture of the history of London’s reggae scene.

The records were originally photographed in various, largely obscure places around London between 1967–1987, and were selected for the project by Alex from his own record collection. To find the shoot locations Alex and Al Newman – founder of One Love Books which is aiming to publish the series – embarked on an arduous investigation to track down the artists, label owners, photographers and anyone else involved.

“Locating many of these has been a real challenge,” says Al. “Mainly it has involved Alex trawling the internet, asking questions on forums, using Google street view a lot, and cycling around London looking for spots and clues.

“Some of the locations were difficult to access and have involved climbing over fences, on to roofs, and even up the Westway for one Heptones LP. For 1000 Volts of Holt by John Holt, Alex had to gain access to the living room of former Trojan label owner Marcel Rodd in Hampstead to take a photo in front of the fireplace.” Many of the shots were originally taken close to the offices of record companies such as Trojan, Pama and Starlight/Black Music, in nearby Harlesden and Willesden.

In most cases, the photographs show how little the London settings have changed in the last few decades, and celebrates the original photographer’s composition by expanding the canvas. “The image on a record cover usually remains within defined borders,” says Alex, “instantly recognisable as a record cover, but not so much as a location. Approaching the scene from a wider angle and revealing the cover’s surroundings brought me, and will hopefully bring others, closer to the time and place of the original photo shoot.”

A book on the photographs called Covers: Retracing Reggae Record Sleeves in London is now raising funds for publication on Kickstarter. Some works from the project will be exhibited at Art Basel Miami in December.

A hand holds up a vinyl record sleeve against a matching real-life backdrop of a tree-lined path. The album cover features a person standing on the same path, with the title “HARDER SHADE OF BLACK” printed in green and red.
Above

Alex Bartsch and One Love Books: Covers: Retracing Reggae Record Sleeves in London :
Various artists: Harder Shade of Black, Santic (1974)

A hand holds up a vinyl record cover in front of a residential street. The cover features a person in a brown coat standing in a puddle, with the text “Al Campbell” and “Rainy Days”.
Above

Alex Bartsch and One Love Books: Covers: Retracing Reggae Record Sleeves in London
Al Campbell: Rainy Days, Hawkeye (1978)

A person holds up a vinyl record cover in front of a residential street with terraced houses. The album cover features a person in a brown fur coat and blue outfit, with the text “Hopelessly In Love” and “Carroll Thompson”.
Above

Alex Bartsch and One Love Books: Covers: Retracing Reggae Record Sleeves in London
Carroll Thompson: Hopelessly In Love, Carib Gems (1981)

A hand holds up a square record sleeve in front of a brick building. The cover shows a person leaning against a light blue car with the text “MOODIE” and “EARLY YEARS”.
Above

Alex Bartsch and One Love Books: Covers: Retracing Reggae Record Sleeves in London
Moodie: Early Years, Moodie Music (1974)

A hand holds up a collage in front of a city road and railway bridge. The artwork features a person leaning on a red car under the red text “Cockney Translation Smiley Culture”.
Above

Alex Bartsch and One Love Books: Covers: Retracing Reggae Record Sleeves in London
Smiley Culture: Cockney Translation, Fashion Records (1984)

A person holds up a vinyl record sleeve featuring a black and white portrait of a smiling person in a white suit and bowtie. Red text across the top reads “PAT KELLEY SINGS”. The sleeve is held against a backdrop of stone sculptures and green trees.
Above

Alex Bartsch and One Love Books: Covers: Retracing Reggae Record Sleeves in London
Pat Kelley: Pat Kelley Sings, Pama (1969)

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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