Design can play, and is already playing, a critical role in rethinking food of the future

It was two weeks into quarantine when I realised our period of isolation wasn’t ending anytime soon. Early April in New York City, unceded Lenapehoking territory, the birds had returned to occupy the bush outside our window and dandelion, mugwort and plantain herb had begun sprouting from the cracks between the pavers. For years I had been planning a raised bed garden to occupy a large section of my backyard. Now I had access, time, and a car to make my garden dreams a reality. As I started constructing, seed starting, and planting my garden, a curious thing happened: I fell into a rhythm with my neighbours, many who decided to work on their own yard projects. Over chain-link fences we would chat about plantings (grass courts, tomato seedlings, new trees), the persistence of New York squirrels, possum sightings, and bird feeders.

Our time in isolation was a midwife to moving about the world in a new way: knowing your neighbours, grassroots organising, mutual aid, sourdough baking, or growing your own food. The crucible of the pandemic and social justice uprisings underscored the ways that our food system was, and continues to fail us. Questions around where our food comes from, how it gets there, and whose labour is required to sustain our consumption habits have suddenly become topics of everyday conversation.

The reality is that our expectations around what and how we eat no longer serve us. Since 2013, I’ve been publishing stories through the online and print magazine Mold about how design might offer solutions at different scales for the coming food crisis – the United Nations predicts that by 2050, we will not be able to produce enough food to feed our growing global population. But the way the pandemic disrupted supply chains and made the invisible visible in our globalised systems – labour, processes and monopoly players – has brought the food crisis from a future threat into a present reality for our most vulnerable populations. Speculating on the future is no longer enough. Today, it is crucial for us to eat within geographic, climate-informed, planetary boundaries.

When I first started exploring questions around the future of food, topics like entomophagy (eating insects), lab-grown meat, hydroponic salad greens, and meal replacements dominated headlines. Although these products still hold interest, I’ve come to believe that what we’ll eat in the future will be dictated by the same concerns that shape what we eat today: deliciousness and availability. Instead of fretting over what we’ll eat, I’m more interested in how we’ll eat.

Eating intimately according to geography and season opens up new possibilities when thinking about the cuisine of a place. In a piece for Mold, Dan Barber argues that the future of food demands new patterns of eating based on what the surrounding land can provide. The chef and owner behind New York’s critically-acclaimed Blue Hill restaurants calls on his fellow culinary craftsmen to architect new cuisines, reinforcing that “good gastronomy, which is expressed through traditions and patterns of eating,” in concert with seed breeders and farmers within the region, is the clearest path forward. In short, a food ecology of deliciousness.

This focus on hyper-regional cuisine is the stuff of our ancestors. Before avocados were available 365 days a year in every North American supermarket, our forebears fed generations based on what was available, often what they grew or bartered. That our ability to sustain a growing population starts with something as small as a seed represents a radical approach to our food future, and for design. Instead of locking our seeds in a frozen tundra vault, or depending on the intellectual property of technologists or industrialists to build agricultural systems obscured by copyrights, the diverse and persistent intelligence of seeds has much to teach us. For instance, the seed activist Vandana Shiva teaches that “recognising beauty in diversity is the urgency of our times,” a task that design is uniquely positioned to address. Blossoming from a place of abundance, each generation of seed offers an almost infinite number of possibilities. With time, patience, and new rubrics for determining desirability, seed stewards can steer us towards safe waters.

Beyond the seed’s promise of possibility, our relationship with the land, as the seed keeper and farmer Rowen White reminds us, is the original covenant. Through agriculture, we take care of the land, and in turn, it takes care of us. Indigenous communities hold knowledge of the lands they’ve stewarded for millenia. In shifting towards a more intimate food ecology, design can amplify indigenous knowledge and centre ways of knowing that recognise our interdependence on other living systems. Design can also support efforts to decolonise terms like “regenerative agriculture,” a set of land management practices that is held as a way to minimise the ecological effects of large-scale industrial farming, by creating work which begins by recognising that the food system is not separate from other living systems. As Shiva reminds us, “the future of food depends on remembering that the web of life is a food web.”

This notion of interdependence is the law of nature. Nothing thrives in solitude. The notion that the human body is a hermetically sealed boundary is a false construct – at the most basic level, our exterior bodies and insides teem with trillions of microbes which account for more than 50 per cent of the cells inside each of us, and each bite of food ingests tens of thousands more. That means that “me” is actually, and has always been, “we”. Applying that concept to different scales allows for new imaginaries and new definitions of what might constitute community: interspecies, nonbinary and entangled.

By redesigning our relationship with food, we can build a new paradigm for living, one that discards current modes of extraction and control, and recognises care as the foundation for life-affirming social systems. Investigating the “how” underscores where design can play a critical role to co-create solutions at all scales for building hyperlocal, sovereign food ecologies.

In New York, as mutual aid groups began knitting together as a response to the pandemic and the Black Lives Matter protests, Asmeret Berhe-Lumax, a strategic consultant, quietly began placing and maintaining a series of community fridges in her Brooklyn neighborhood. Working with Miguel Paolo Yatco of Studio Paolo, to develop the smile-y logo and website, One Love Community Fridge has expanded its mission to place free fridges near public schools in the neighborhood.

In another instance across the Atlantic, the participatory design practice Brave New Alps has something bubbling. In the autonomous province of Trentino in the Italian Alps, they are working with agroecologists, farmers, community foragers, local businesses, and even the area’s science museum to produce, bottle and sell a carbonated beverage that, “the people from here feel is their drink,” explains Carlo Bettinelli, head of production for Comunità Frizzante. “Not the drinks of a company that is based here, but is really their drink.” By design, the whole community is invited to have a hand in the process – from guided walks to ideas for flavours to distribution through local bars and retailers – the project works to employ and engage people while keeping money circulating within the community, a powerful example of community economics in action. Moreover, the profits from the project will go into sponsoring local initiatives to continue leveraging, what the architect Teddy Cruz calls, social capital (people’s participation) within the community.