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Two copies of Ark magazine set against a black background. One cover features a grid of abstract symbols and the title “ARK” in red, while the other shows the word “NEW!” in red on a yellow block.

The RCA Journal: The Alan Rickman Issues

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Date
29 February 2012

Actor Alan Rickman passed away yesterday aged 69. It’s a little known fact that the actor, best known for his roles as Professor Snape in the Harry Potter films and Hans Gruber in Die Hard, studied graphic design at the RCA before embarking on a career on screen. Below is an article from February 2012, when Michael Crowe stumbled across Rickman’s work in the RCA archive.

You might know him as the snarling Professor Snape in the Harry Potter series, the wandering-eyed husband in Love Actually or even the spoon-wielding maniacal Sheriff of Nottingham in Robin Hood Prince of Thieves, but you may be less familiar with Alan Rickman, graphic design student. So let us introduce you, thanks to these exclusively released images of two issues of the RCA journal Ark (now called ARC) on which he worked. They’ve come to light again after Michael Crowe unknowingly selected one of Rickman’s issues to use as the basis for a fundraising poster.

The man with the most expressive face in showbusiness (not counting Jim Carrey, but nobody counts Jim Carrey) was a post graduate graphic design student at the RCA in the late 1960s and worked on issues #45 and #46 (1969 and 1970) of the journal as the copy editor. He also wrote articles in each one – an interview with Jim Haynes and a piece called Child’s Play where he spent a day as a supervisor in a children’s play park.

That piece is impossible to read not in his famously dulcet tones: “Your successes will be smaller than your failures. For every child you can reason into submission there will be dozens who you will submit to for no other reason than maybe they can string together a greater variety of obscenities and deliver them with a more truly eloquent arrogance than you could ever hope for.”

Ark stopped being published just a few years later in 1978 but was relaunched in 2004 and now the current editorial team are using Kickstarter to raise funds for its next issue. The middle rewards for supporters will be one of Michael’s limited edition posters created using three issues from the archives, one of which just so happened to be one Rickman had helped oversee.

A magazine cover titled “ARK” in bold red letters. Below the title, a red line of text reads “This issue’s all about the New Avante Garde. So’s our next one, out in April”. The rest of the page is filled with a grid of black dots and fragmented text.
Above

Ark Issue #45 © Royal College of Art

An open magazine shows a close-up photograph of a person pinching a fold of skin on their torso. The opposite page contains a table of contents with a list of artists and titles.
Above

Ark Issue #45 © Royal College of Art

A close-up of a printed contents page from a publication dated “46 Spring 1970”. The page lists various articles and contributors, including a “Homage to Raphael Hythloday” and a piece by Roland Barthes.
Above

Ark Issue #45 © Royal College of Art

A black and white photograph across two pages shows a close-up of a hand pinching and pulling a fold of skin. The image is mirrored, with the action repeated on both the left and right sides.
Above

Ark Issue #45 © Royal College of Art

An open magazine spread titled “Child’s Play”. A sketch of a person swinging from a tyre on a wooden frame is laid over columns of text.
Above

Ark Issue #45 © Royal College of Art Alan Rickman’s Child’s Play

An illustration of a bottle shaped like a person wearing a bra and briefs. A label across the middle reads “Winsor & Newton”, with the words “squeeze gently” printed below.
Above

Ark Issue #45 © Royal College of Art

A white magazine cover features the word “ARK” in a blue and green outline at the top. A bold yellow rectangle in the centre contains the words “NEW NEW!” in red.
Above

Ark Issue #46 © Royal College of Art

An open magazine with a bright yellow cover featuring the word “ARK” spray-painted in green. The opposite page contains a grid of black and white portraits and short columns of text.
Above

Ark Issue #46 © Royal College of Art

An open page from a magazine titled “Ark 45 Winter 1969”. The layout features black and white photographs of people alongside editorial credits and a survey asking “What do you mean the New Avant Garde?”.
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Ark Issue #46 © Royal College of Art

A black and white collage forms the word “POP” in large, bold letters. A person playing a guitar is positioned within the “P”, while a vinyl record and a group of people fill the “O” and second “P”.
Above

Ark Issue #46 © Royal College of Art

An open magazine spread. The left page features an illustration of a figure reclining among clouds, holding a scroll that reads “Reeves Polymercolours”. The right page shows a black and white photograph of a brick wall with “ARTS LAB” painted in large, bold letters.
Above

Ark Issue #46 © Royal College of Art

An open book shows a black and white photograph of a brick wall. Large, stencilled text across the wall reads “ARTS LAB”.
Above

Ark Issue #46 © Royal College of Art – Alan Rickman’s interview with Jim Haynes

An open book showing a black and white photograph of dancers in motion. The left page contains a column of text, while the right page features a high-contrast image of figures with their arms outstretched.
Above

Ark Issue #46 © Royal College of Art – Alan Rickman’s interview with Jim Haynes

An open magazine spread featuring black and white photographs of three dancers in motion. The images are interspersed with columns of editorial text across the pages.
Above

Ark Issue #46 © Royal College of Art – Alan Rickman’s interview with Jim Haynes

An open book shows a high-contrast black and white photograph on the left page and two columns of text on the right. The image depicts a close-up, distorted view of a person’s face and hands.
Above

Ark Issue #46 © Royal College of Art – Alan Rickman’s interview with Jim Haynes

An open brochure featuring a list of names on the left and a graphic illustration on the right. The names, including “Amanda”, “Lucian” and “Giorgio”, are set in various bold, decorative typefaces. Opposite, a stylised illustration shows two figures embracing, accompanied by the word “Letratone” in a bold, 3D typographic style.
Above

Ark Issue #46 © Royal College of Art

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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