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An illustration of a hand lifting a beige cloth to reveal a grey rectangular block. The scene is set against a split background of blue and yellow.
An illustration of a hand lifting a beige cloth to reveal a grey rectangular block. The scene is set against a split background of blue and yellow.

Discover the tactile and tangible quality of Seb Ikso Agresti's illustrations

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Date
7 March 2017

Dutch illustrator Seb Ikso Agresti is a graduate of the Willem de Kooning Academy in Rotterdam. Yet, it was his extra curricular activities that helped him to hone his illustrative practice.

“I was disappointed by the programs offered at my university. I gained most experience taking classes elsewhere and working as an assistant for numerous painters and illustrators including Joost Swarte,” explains Seb. Consequently the illustrator has created a distinct style, an identifiable colour palette and a tangible texture that flows through the works. “I like to make illustrations that can stand as works on their own,” the illustrator tells It’s Nice That. This is an aim he certainly fulfils in his pieces, whether it be a poster or a book cover. “I am much more interested in communicating a certain mood or a metaphor than literally drawing out a paragraph of a story or article. It’s a challenge to find the balance, but that’s what I really enjoy about working as an illustrator.”

Compositionally, Seb’s illustrations consider and use space alluringly, filled with tones varying from orange to a deep purple. Seb achieves this by viewing the compositions “like an empty stance on which I place objects much like a still life, or with characters awkwardly standing around or looking at the viewer,” he says. “I guess it’s my own feeling of disconnect with the world at times that gets translated into the drawings.”

The objects featured in the illustrator’s works are “little drawings from observations and photos, reducing them to simple shapes”. Sea’s process to culminate these elements begins by drawings everything by hand using pencil. “I use a lot of tracing paper to adjust the composition, moving elements around and refining my drawing. I then trace the final composition on a lightbox with pen and ink, colouring it all in by hand.” Therefore Seb’s illustrations have a charmingly tactile quality; he creates illustrations you want to touch.

An illustration of a hand holding a grey torch against a purple background. A bright yellow beam of light shines from the lens.
Above

Seb Ikso Agresti

An illustration of a person with a wide face and a small moustache against a bright yellow background. Cotton buds poke into both of their ears from either side of the frame.
Above

Seb Ikso Agresti

An illustration of a pair of open scissors standing on a grey plinth. A red ribbon is draped across the blades, as if being cut, against a bright blue background.
Above

Seb Ikso Agresti

A book cover for “Hear the Wind Sing” by Haruki Murakami. An illustration shows a cigarette resting on an orange surface, with a plume of black smoke rising into a blue sky.
Above

Seb Ikso Agresti

An illustration for an event titled “Sauerbeer Sunday”. A large, rounded glass of amber liquid sits on a yellow surface against a blue background with a red sun. Text at the bottom reads “Lode & Stijn”, “Lausitzerstraße 25” and “Sep 11th 13:00–20:00 No Reservations”.
Above

Seb Ikso Agresti

A black silhouette sculpture of a person wearing a hat and smoking a cigarette. The figure is shown in profile with a single white eye, mounted on a light wood base.
Above

Seb Ikso Agresti

An illustration of a person in a brown hat smoking a cigarette, with a large cloud of black smoke billowing from it. In the background, two silhouetted figures talk inside a grey archway under a yellow sky with palm trees.
Above

Seb Ikso Agresti

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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