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An illustration of the Egyptian god Anubis in pink, set against a bright orange background. He holds an open book and has a single tear falling from his eye.
An illustration of the Egyptian god Anubis in pink, set against a bright orange background. He holds an open book and has a single tear falling from his eye.

Wise seeming skeletons abound in Lennard Kok's latest zine Turning Pages

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Date
14 August 2018

Lennard Kok’s recent zine is about reading, or looking through, a book. As you turn the pages, you see illustrations of turning pages.

Usually, a book is a four-sided, three-dimensional object. Occasionally, if you’re sunbathing by the sea or lounging on the pool-side, the pages can get damp and salty. Some people look after their novels, others crease the corners and bend the binds; Lennard’s zine beautifully illustrates these eventualities.

“I look at more books than I read”, Lennard explains. “I get inspired by how it physically feels, by the sequence and how the order is laid out”. Using deeply satisfying symmetrical lines, the illustrator explores a publication’s geometrical shape, creating a zine that is both minimalistic and elegant.

A grasshopper leans back, dwarfed by gigantic pages. An Anubis cries over a novel, and a skeleton holds a book between his creaking fingers. “I was looking to create figures that usually don’t read”, Lennard tells us. “Seeing them do it, makes them more human, which creates an odd contrast as they’re clearly not”.

Why is it, that when you’re seen with a heavy-weight 500-page novel spread out upon your lap, your immediately assumed to be a genius or a swot? The figures that Lennard illustrates appear smarter and more relaxed than they would otherwise. “They feel like characters you could really start a conversation with”, he explains.

Lennard chooses a clean aesthetic, using bold and black lines because he wants to tell a story as simply as possible. However, this new work explores colour, using bursts of pink and red, green and orange. Having struggled initially to find a colour palette that effectively matches his style, the artist feels this is an exciting step in a new direction. We can expect more vibrant illustrations from him in the future.

An illustration of an orange skeleton lying on its back against a white background. The figure props its head up with one hand while reading an open book.
Above

Lennard Kok: Turning Pages

An illustration of a pink insect perched on a curved stem with leaves. The insect holds a large, open pink book in front of them.
Above

Lennard Kok: Turning Pages

An illustration of a red figure against a green background. A hand holds a red book or pamphlet over the figure’s face, obscuring their features.
Above

Lennard Kok: Turning Pages

An illustration of a bright green skeleton standing against a white background. The figure holds an open book and rests one foot on a matching green block.
Above

Lennard Kok: Turning Pages

A simple line drawing of an open book with blank white pages. Curved lines at the bottom suggest the depth of the remaining pages.
Above

Lennard Kok: Turning Pages

An illustration of a hand holding an open orange book against a bright green background. The left page of the book features a graphic of a hand mirroring the one holding it.
Above

Lennard Kok: Turning Pages

An illustration of a bright orange bird holding a large, open book in front of its body. The book’s pages fan out to mimic the shape of the bird’s wings.
Above

Lennard Kok: Turning Pages

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About the Author

Emma Latham Phillips

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