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An illustration of a person in a red top and grey trousers falling through a vast, grid-like void. In the distance, the grid warps into undulating waves beneath a dark horizon and a red sky.

Jun Cen’s expressive illustrations capture fear, loneliness and frustration

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Date
18 September 2017

“My goal is to create an expressive aesthetic with restraints,” says illustrator Jun Cen of his style. “I think I make my illustrations in a minimalistic way, trying not to make my work overdone.” By using a limited colour palette and playing with perspective, Jun often uses fine linework to create architectural spaces and fills them with characters dressed in costumes to bring his story telling to life.

Since we featured him last year, Jun’s style is now more detailed and there’s a real sense of depth to his works. His clean-cut illustrations lend themselves well to editorial commissions and he has worked with The New York Times, The Washington Post, The New Yorker and Oxford University Press among many others. “When I’m working on an illustration, I always ask myself what kind of connection I have with the article and what kind of a unique voice I want to put in this piece, whenever I’m allowed to,” US-based Jun says. “As a creator, I’m never just satisfied with visually translating the idea of an article, I also love to explore what perspective and vision I can input in an editorial piece.”

As a result, his illustrations are visually rich and communicative and his cool colour choices aim in setting a particular atmosphere and mood. When asked what he hopes to convey, Jun says: “I think most of my illustrations are about human emotions. Fear, loneliness, frustration are constant themes in my work.” Books, music, and films are often sources of inspiration for the illustrator and he looks for the “softest and most vulnerable moments” in whatever he reads or watches.

An illustration of several figures climbing up the undulating folds of a large US flag. The figures are seen from behind, struggling to ascend the red and white stripes towards the blue field of stars.
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Jun Cen

An illustration of two figures by the edge of a vast, tiered waterfall. The water flows in pale blue sheets over red cliffs under a soft pink sky.
Above

Jun Cen

An illustration of a person sitting in a small blue boat, fishing in a choppy sea. A large wave curls behind them, while a small, green island sits on the horizon.
Above

Jun Cen

An illustration in six panels showing a person in an orange jumpsuit in a sparse room. They move from sitting on a chair to standing and eventually curling up on the floor. In the bottom middle panel, a person in a grey suit observes them while taking notes on a clipboard.
Above

Jun Cen

An illustration of a small figure standing at the centre of a circular maze. The maze is housed within a glass dome atop a geometric pedestal, set against a vast, orange-hued labyrinth.
Above

Jun Cen

An illustration of a person in a tan jacket and black trousers standing on an ice floe. They point towards the horizon, surrounded by four penguins.
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Jun Cen

An illustration of a person standing on a beach, looking up at a giant, tilted white and red rocket. Surreal elements surround the scene, including giraffes and zebras on the sand and a shark swimming in the turquoise water.
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Jun Cen

A colourful abstract illustration featuring geometric shapes and fragmented figures floating around a central white cube. The composition is mirrored across a blue central void, with red and yellow panels framing the scene.
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Jun Cen

An illustration of two people walking through a dark, surreal space filled with floating doorways. To the left, a figure stands in a pink doorway holding a weapon, while other figures appear in distant portals.
Above

Jun Cen

An illustration of a 3x3 grid showing fragmented, close-up views of mouths and teeth. The panels use a muted palette of yellow, blue and pink, with shards of glass appearing to break across the compositions.
Above

Jun Cen

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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