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A small, fleshy figure sits in a white, textured landscape, holding a bright red telephone to their ear. They are surrounded by chunky, white sculpted forms that resemble snow or clay.

Fuck boys beware: this animation tells a cautionary tale

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Date
30 January 2018

Julie Fliegenspan’s latest claymation is a joyfully naive clay-based visual interpretation of a (possibly) true cautionary tale. The modern-day parable tells the tale of a woman who spent all night flirting with a mystery man at a Miami rave, only to receive a phone call a few days later… from his baby mama.

“When I was in high school…” the video spells out in swirling icing lettering, “I made out with someone at a rave. Later I got a call from his baby mama. She left me these voicemails”. The animation which follows opens on a clay model of a woman in a bathtub, a red cord phone pressed to her ear, her knees drawn in close to her body. We hear a woman’s livid voice, saying “I heard everything, you were talking to my man the whole weekend”, as the bathroom becomes alive. The scene shifts into a more surreal dimension as as a second voicemail begins, this time quieter, more plaintive. “Do me a favour. Don’t talk to Jonathan. I’m telling you, he just wants to fuck, that’s it.”

Directed and animated by Julie Fliegenspan, Plur was commissioned by Borscht Corp, has already received attention at this year’s Sundance Film Festival.

A ceramic plaque in blue and white, shaped like a mirror, is mounted on a pink textured wall. It features a small cat figure at the top and reads “I made out with somebody at a rave”.
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Julie Fliegenspan: Plur

A blue ceramic plaque featuring a small cat head at the top. The white centre reads “Later I got a call from his babymama” in cursive script.
Above

Julie Fliegenspan: Plur

Two small, crudely modelled clay figures sit on a textured, pale surface under purple light. One figure is blue with small horns, while the other is pink with a white cloth draped over its head.
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Julie Fliegenspan: Plur

A small, pink clay figure lies on its back across a textured white surface. The scene is lit with a deep purple glow and surrounded by abstract lumps of white and black clay.
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Julie Fliegenspan: Plur

A small, blue clay figure with long black limbs sits atop a textured white surface. The scene is bathed in a vivid purple light, highlighting the thick, sculpted peaks of the background.
Above

Julie Fliegenspan: Plur

A collection of small, hand-moulded clay figures in shades of pink, blue and white. The figures are abstract and organic in shape, scattered across a textured white surface under a cool purple light.
Above

Julie Fliegenspan: Plur

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About the Author

Bryony Stone

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Bryony joined It's Nice That as Deputy Editor in August 2016, following roles at Mother, Secret Cinema, LAW, Rollacoaster and Wonderland. She later became Acting Editor at It's Nice That, before leaving in late 2018.

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