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An animation of a stylized blue forest with flat, disc-shaped treetops. A bright white sun glows in the background as the camera moves slowly through the trees.

Do you see what he sees? Enle Li’s animations show how subjective our experience of nature really is

In commissions for the likes of Apple, Figma and Google, the New-York based animator maintains his sentimental and emotive view of the outdoors.

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Date
24 April 2024

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In the work of artist-animator Enle Li, we aren’t only immersed in the picturesque view of the outdoors, we are invited to see what one looks like while gazing at it. The moon sways between tree branches as the viewer moves and the sun lays its silhouette on the face of an awestruck onlooker; the relationship between human and nature is a perpetual give and take. And just when you think you’ve figured out the rhythm, Enle shows just what our imposing perspective can do. In Incremental Loading, a commissioned artwork for Figma, Enle depicts a tree as a pixelated graphic steadily loading; the work represents the improved features of the interface design application, it also sits in his oeuvre of nature being ever-changing based on our interpretation of it.

Enle Li was born in China and later moved to New York City to study graphic design at the School of Visual Arts. During his final year, he found a calling toward “intricate storytelling” and “emotive resonance”, he tells us. “I’m inspired by the boundaries between rational and irrational perceptions of the world around us”, which has created a body of work that is both surreal and humbling, because it deals with the fact that there is no objective view of what’s around us, we always come with preconceived notions and ideals. Combining animation and visual storytelling, he has created a visual language that spans commissions for the likes of Google, Apple, The Atlantic and Adobe, with each expanding his style and representations of the human perspective. So stop and look for a while, you may just catch a glimpse of how you see nature.

An animation in which a narrow, eye-shaped aperture opens to reveal a close-up illustration of a person’s face. The view then closes and re-opens to show a swirling blue and white abstract pattern.
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Enle Li: Eyes (Copyright © Enle Li, 2022)

A 3D render of colourful, ribbon-like bands that twist and fold across a neutral background. The bands are decorated with abstract shapes, gradients and UI-inspired elements like buttons and profile icons.
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Enle Li: Harmaony Lab Data (Copyright © Enle Li, 2023)

An animation of a colourful, concentric 3D maze. The vibrant blocks and curved walls shift in a subtle, looping motion.
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Enle Li: Harmaony Lab Hero (Copyright © Enle Li, 2023)

An animation of a surreal, pink-toned illustration showing close-ups of two faces. Eyes blink and open within the mouth of one figure and the cheek of another.
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Enle Li: Imitation (Copyright © Enle Li, 2022)

A 3D render of a stylised green tree against a yellow gradient background. The tree is shown in three stages of digital construction, transitioning from a pixelated base to a wireframe middle and a smooth, rounded top.
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Enle Li: Incremental Loading Figma (Copyright © Enle Li, 2023)

An animation of a bright white moon seen through a network of dark, interlocking tree branches. The scene is set against a deep blue sky, with subtle movement across the frame.
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Enle Li: Moon Tree (Copyright © Enle Li, 2022)

An animation of a 3D rendered face with red lips, viewed from a low angle. The movement is subtle, with the figure looking slightly upwards.
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Enle Li: Mystic Sphere (Copyright © Enle Li, 2023)

A 3D render of a basketball hoop shaped like a bent human figure. An orange basketball floats in the air, poised to enter the net.
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Enle Li: The Collector (Copyright © Enle Li, 2021)

An animation of a stylized figure floating in a bright blue sky with soft white clouds. The figure drifts slowly beneath a glowing white sun.
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Enle Li: The-Run (Copyright © Enle Li, 2022)

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Enle Li: Synchrony (Copyright © Enle Li, 2023)

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About the Author

Yaya Azariah Clarke

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Yaya (they/them) was previously a staff writer at It’s Nice That. With a particular interest in Black visual culture, they have previously written for publications such as WePresent, alongside work as a researcher and facilitator for Barbican and Dulwich Picture Gallery.

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