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A weathered wooden signpost stands beside a long, empty concrete road under a clear blue sky. The sign is broken and empty, consisting of a splintered frame atop a rough timber pole.

Photographer Dave Carswell uncovers the DIY basketball culture of the Philippines

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Date
9 January 2018

Australian photographer Dave Carswell has spent two years documenting the makeshift and DIY culture of basketball in the Philippines. His photographs have been collated into a monograph titled Dancing in the Shadows and an exhibition, that both launch this week.

The book documents the places and spaces in which basketball thrives, with the photographer guiding the viewer on a journey from urban centres to provincial spaces. “I was initially drawn to the physical structure of the hoop and the pragmatism of the Filipino people in the creation of basketball apparatus,” says Dave.

Dave has captured a national obsession that flourishes in spite of the fact the necessary equipment might not be freely available. Much like in the UK where jumpers act as goalposts for football-mad kids, the photos show a pragmatic and inventive approach to creating hoops with which to play. He shows us unconventional baskets and backboards fabricated from offcuts of wood, emblazoned with unofficial branding and occupying unexpected corners of the landscape.

“The Philippines is being urbanised at an alarming rate with a handful of wealthy families and oligarchs staking claim on public space. Gated communities, mega shopping malls and even park spaces are largely privately owned with restricted access and monitored behavior,” says the photographer. “The local basketball court stands as a staunch counterpoint to the privatisation of the land and remains firmly in the hands of the everyday Filipino, even if it’s very existence can be fleeting and constantly under threat.”

The Dancing in the Shadows exhibition and book launch is at Spare Store, Melbourne on 11 January.

A basketball hoop is makeshiftly attached to a palm tree with wooden beams. In the background, people sit inside a small open-sided gazebo beside a concrete path and a beach.
Above

Dave Carswell: Dancing in the Shadows

A basketball hoop is attached to the branch of a leafy tree. A red ball is captured mid-air, just about to enter the net.
Above

Dave Carswell: Dancing in the Shadows

A tall, rustic wooden tower stands on a dirt path. It features a small enclosed platform at the top, surrounded by palm trees and dense green foliage.
Above

Dave Carswell: Dancing in the Shadows

A weathered basketball hoop stands on a tall, rusted metal frame in a dusty clearing. In the background, a row of makeshift shelters and dwellings sit beneath a canopy of green trees.
Above

Dave Carswell: Dancing in the Shadows

A rustic wooden fence made of vertical stakes runs alongside a dirt path. A makeshift wooden signpost stands in the foreground, its blank planks facing the viewer. Palm trees and a thatched-roof building are visible in the background.
Above

Dave Carswell: Dancing in the Shadows

A basketball hoop is attached to a weathered tree trunk in front of a grey cinder block wall. The blue backboard features the word “TOPEY” and a banner behind it reads “AC CITY”.
Above

Dave Carswell: Dancing in the Shadows

A basketball hoop is attached to a tree trunk in the middle of a rural field. The backboard features a white silhouette of a person jumping to shoot a ball.
Above

Dave Carswell: Dancing in the Shadows

A makeshift basketball hoop stands in a rural landscape. The backboard is a weathered piece of wood attached to a rough-hewn tree trunk with scrap timber.
Above

Dave Carswell: Dancing in the Shadows

A makeshift basketball hoop constructed from weathered wooden beams and a plain square backboard. It stands on a concrete pavement in front of a pale blue building, surrounded by potted plants.
Above

Dave Carswell: Dancing in the Shadows

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About the Author

Owen Pritchard

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Owen joined It’s Nice That as Editor in November of 2015 leading and overseeing all editorial content across online, print and the events programme, before leaving in early 2018.

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