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Two photographers stand on a lawn, aiming their cameras at a person posing by a swimming pool. The person in the pool wears a white outfit and leans back against a metal handrail.
Two photographers stand on a lawn, aiming their cameras at a person posing by a swimming pool. The person in the pool wears a white outfit and leans back against a metal handrail.

A voyeuristic insight into the seedy camera clubs of the 1990s from Chris Verene (NSFW)

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Date
16 March 2016

The term “camera club” can be used for anything that advocates photography, but in Chris Verene’s series he stepped into the seedier interpretation of the phrase, where “groups of men used to lure young women into modelling nude by pretending to be professional fashion photographers.” These mid-90s “clubs” were organised through classified newspaper ads, flyers or word of mouth and in a pre-internet age it gave the photographers a disturbing power. “The photographers could say a lot of things about their fame without being Googled or legitimised,” says Chris. “The resulting pictures might never be seen by anyone beyond the photographer and certainly could only be seen in person.”

The project began by accident: “A friend talked me into accepting an invitation to go to one of the events,” Chris explains. “I quickly realised that there was so much commotion around any model who was nude that no one would notice if I stepped back to include an out-of-focus model with the photographers’ bodies in my frame.”

Focusing on the photographers instead of the models creates a deeper sense of voyeurism and uneasiness. Chris presents the way these types of images are achieved rather than the final shots, and as a result records the imbalanced relationship between the model and photographer. “I had been an activist and a feminist since my teens, and this looked like a situation where I could talk about issues of women’s power and men’s power by merely documenting something that was already happening.”

There’s a retrospective element to the series having been taken in a pre-digital era. “The Camera Club series is a time-stamped milestone of the last gasp of analogue photography as it relates to art history’s process where men use their power to gaze at women,” says Chris. But the sinister undertones are exaggerated when thinking of the modern day equivalent. Smartphones and social media have created a more instant and public version of the camera club, and now the consequences between the model and photographer are no longer kept private.

A photographer in a blue shirt holds a camera to their eye, framing a shot. In the distance, a person poses against a stone wall in a dark, rustic space.
Above

Chris Verene: Camera Club

A photographer kneels on a carpeted floor, facing away from the camera. They are photographing a person sitting on a bed, who is wearing only underwear and smiling.
Above

Chris Verene: Camera Club

A person in a bright red T-shirt and white trousers stands with their back to the camera. In the background, another person lies on a white bed in a dimly lit room.
Above

Chris Verene: Camera Club

A person in a cream-coloured shirt and trousers stands in the foreground, their back to the camera. In the background, a person kneels on a floral-patterned bed, partially dressed in white fabric.
Above

Chris Verene: Camera Club

A person with short red hair kneels on a bed, posing for a photographer. They wear a purple skirt and hold their hands together in front of their chest.
Above

Chris Verene: Camera Club

A person in a white polo shirt stands with their back to the camera, holding a camera to take a photo. In the background, a person in a yellow bikini lies on a white diving board over a swimming pool.
Above

Chris Verene: Camera Club

A person in beige shorts stands in the foreground, their back to the camera. To the right, a photographer kneels on the grass, aiming a camera at a person sitting by a swimming pool in the background.
Above

Chris Verene: Camera Club

A person in a white and blue outfit leans over a window ledge to adjust a camera. Another person lies on the ledge, covered by a white lace cloth.
Above

Chris Verene: Camera Club

A person holds a camera in the foreground, framing a shot of a scene in a dark room. In the distance, another person kneels beside a white bed where a figure sits.
Above

Chris Verene: Camera Club

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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