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Blaise Cepis’ offbeat portraits mix arousal and body horror

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Date
12 May 2016
A person in a yellow and orange swimsuit poses against a quilted blue backdrop. They wear a shimmering silver tinsel boa around their neck and have their hair tied up with colourful ribbons.

Imagine the scene: you go on a date, you manage to convince a perfect specimen to come home with you and then, when you’re rummaging in their pants, there’s a knee where their bits should be. Still turned on? It’s this line between erotic and grotesque that New York-based artist Blaise Cepis tentatively treads, creating deformed, yet kinda hot, bodies using collage and photography.

Born in Philadelphia and now based in New York, Blaise studied at Parsons School of Design before working as a freelance creative at Mother and JWT. Adeptly flitting between fashion shoots and his own much weirder work, Blaise mixes glossy, clean portraiture with the mundane depictions of domesticity. His interest in the manipulation of the body has evolved through several phases, from carefully arranging several obliging models to look like the same body to disjointed digital collages and IRL photograph-human mash-ups. Cute blondes with elongated arachnid legs, frilly-robed ladies having it off with shadows and limbs where limbs really shouldn’t be – it’s the stuff of (sexy) nightmares.

Two people embrace in a kitchen, their bodies entwined in a complex, sculptural pose. One person wears a bright yellow dress, while the other is unclothed.
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Blaise Cepis: Personal work

Two photos of a person wearing a yellow dress and a sheer white overlay. In the first, they are crouched on a lawn, leaning into a large green hedge. In the second, they stand with their back to the camera, facing the same hedge.
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Blaise Cepis: Personal work

A person wearing a bright orange fuzzy sweater and white boots is depicted in a surreal collage. Their body is split across two overlapping images, with one leg extending down to stand beside a red fire hydrant.
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Blaise Cepis: Personal work

A person in a white bikini top stands in a gallery, holding a large print in front of their face. The print aligns with the person's arm to create a surreal, distorted silhouette. Around them, several framed prints of blue skies and horizons hang on a white wall.
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Blaise Cepis: Personal work

A person lies on a black rug and wooden floor, their torso bare and arms crossed. A large, curved piece of cardboard covers their head and shoulders, featuring a printed image of a person’s arms and hair.
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Blaise Cepis: Personal work

A person in a black top and trousers lies across a metal bleacher, looking away from the camera. They are positioned in a grassy field with a sports pitch and a distant bridge under a clear blue sky.
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Blaise Cepis: Personal work

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About the Author

Laura Snoad

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Laura is a London-based arts journalist who has been working for It’s Nice That on a freelance basis since 2016.

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